The Phoenix lottery

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Wendy Wasserstein

"A dinner party in an ornate mansion on the fashionable Upper East Side of Manhattan provides the scene for this witty and incisive play. Set in two eras - the early 1900s and our own Gilded Age - the characters move effortlessly from one period to the other. The host, a contemporary master of high-risk arbitrage, steps in and out of character as a robber baron of an earlier time. His guests of today include a Hollywood director, a not-so-cutting-edge sculptor, an online lingerie designer, an aggressive publicist, and an aging historian. Their counterparts from the past are the great man's rebellious son, a grand dame of New York society, the architect who built the mansion originally, and the maids and servants who maintain it. In this dance of rich storytelling and social commentary, it becomes strikingly clear that while old money has become new, little else has changed over the years. Children still rebel against their controlling parents, women still hope for love, and greed, snobbery, and angst persist. Black-and-white photos within text."--BOOK JACKET.

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Roberto Aguirre-Sacasa

"Poor Bethany Palmer hasn't slept in thirteen years. When her husband, Warren, steals their son, Andrew, away in the middle of the night, her already fragile grip on reality starts to weaken-- even as she sets off after them on a nightmarish phantasmagoria through an urban dreamscape"--P. [4] of cover.

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Anna North

Allison vient de quitter sa Virginie natale pour New York. Elle travaille dans un bar et n'a aucune ambition, aucun avenir. Puis elle rencontre Sophie Stark, une jeune réalisatrice décidée à faire d'elle une star. Daniel, ancien champion de basket, se remet d'un terrible accident de voiture. Ses retrouvailles avec Sophie Stark, son amour de jeunesse, lui redonnent le goût de vivre. La carrière de George, producteur hollywoodien, est au point mort. Pour renouer avec le succès, il décide d'appeler Sophie Stark, étoile montante du cinéma indépendant. Artiste passionnée, géniale et insaisissable, Sophie transforme et transcende la vie de ceux qui croisent sa route. Pour le meilleur et pour le pire.

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Vaclav Havel

All life in a police state is interesting, probably corrupt and potentially subversive as portrayed in this absurdist but seemingly autobiographical play by Czech playwright Vaclav Havel. As in Phoenix, to cite an example, police don't care about guilt, innocence, justice or mercy. If anyone is accused of a crime, they want a conviction. In Havel's play, Professor Leopold Nettles is charged with "disturbing the intellectual peace." Only in a police state could anyone invent such a wide-ranging crime. In Phoenix, conviction means a fine. In Havel's play, a conviction may mean an indeterminate sentence in semi-starved misery in a distant gulag. Once suspected, Leopold knows he's guilty in the eyes of the state. The play portrays a variety of people who visit him, proud that he speaks up in defiance of the authorities - - - but unwilling to join him in his stand for intellectual freedom. Leopold, like Havel for much of his life, is utterly alone. But who are the well-wishers who applaud his dissidence? Are they friends, or secret police agents as provocateurs? Two police agents who visit offer a clever means to avoid prosecution; in effect, "just agree to our falsehoods and all charges will go away." Really? A trap? Are the police undermining the government they serve? How can anyone trust anything? Such is the nature of 'Largo Desolato' and life in a police state. --Theodore A. Rushton at Amazon.com.