Now Sheba Sings the Song
Maya Angelou
The Inaugural poet, author of *I Know Why the Caged Bird Sings*, unites with a renowned illustrator for a poetic tribute to the extraordinary essence of ordinary African-American women.

by Dong Daxi bian (1995)
The Prophet is a book of 26 poetic essays written in English in 1923 by the Lebanese-American artist, philosopher and writer Khalil Gibran. In the book, the prophet Almustafa who has lived in the foreign city of Orphalese for 12 years is about to board a ship which will carry him home. He is stopped by a group of people, with whom he discusses many issues of life and the human condition. The book is divided into chapters dealing with love, marriage, children, giving, eating and drinking, work, joy and sorrow, houses, clothes, buying and selling, crime and punishment, laws, freedom, reason and passion, pain, self-knowledge, teaching, friendship, talking, time, good and evil, prayer, pleasure, beauty, religion, and death.
Maya Angelou
The Inaugural poet, author of *I Know Why the Caged Bird Sings*, unites with a renowned illustrator for a poetic tribute to the extraordinary essence of ordinary African-American women.
M. M. Mahood
The strength of the seventeenth-century writers lies in their power to meet a challenge which later religious poets evaded. Donne and his followers are humanists, alive to all new discoveries about the physical world and the nature of man; but they are theocentric humanists, able to reconcile these discoveries with the central tenets of their faith as Christians. This book attempts to trace this reintegration in the work of the Metaphysical poets and of Milton, and suggests that in this reintegration lies the real affinity between seventeenth-century poetry and the Baroque mode in the visual arts.
Gilbert Walking Bull and Sally Moore
Gilbert Walking Bull tells the story of a gift of thunder eggs and how his dog, Gimo, set them free. The resulting book is an expression of the belief that all things in creation are sacred.
Henry More
This is the first complete modern edition of Henry More's long philosophical poem, A Platonick Song of the Soul (1647). This early work of the Cambridge Platonist, written in Spenserian stanzas, is a sustained literary presentation of the Neoplatonic doctrine of the immateriality and immortality of the soul. Despite the occasional strenuousness of its poetic style, the Platonick Song offers a splendid baroque evocation of the extraordinary powers of the soul both in its individual microcosmic form and in its universal macrocosmic manifestation.