Twelve-term Texas Congressman, presidential candidate, and #1 New York Times bestselling author Ron Paul returns with a highly provocative treatise about how we need to fundamentally change the way we think about America's broken education system in order to fix it. He provides a focused solution that centers on strong support for home schooling and the application of free market principles in the American education system.
Setting / LocationNew York City
Story EraModern Era
Protagonist / CoreThe school revolution Lead Character
"Set in Anatolia in 1922, The Maze is the story of a retreating Greek brigade that has lost its way. It is pursued by a Turkish army that seeks to avenge three years of Greek occupation. No help is forthcoming. Commanded by a brigadier with a passion for Greek mythology and an addiction to morphia, the brigade's only chance of salvation is to reach the Mediterranean coast and sail home. As the army wanders through the Anatolian desert, their internal divisions become more pronounced and their dementias more florid. Eventually they reach a small town, up until now untouched by the war, which is run by a simple-minded mayor and is peopled by a gallery of wonderfully strange characters. When the soldiers leave at last, a tragedy has taken place and the town has changed forever."--BOOK JACKET.
In a perfect marriage of author and subject, P. D. James--one of the most widely admired writers of detective fiction at work today--gives us a personal, lively, illuminating exploration of the human appetite for mystery and mayhem, and of those writers who have satisfied it.P. D. James examines the genre from top to bottom, beginning with the mysteries at the hearts of such novels as Charles Dickens's Bleak House and Wilkie Collins's The Woman in White, and bringing us into the present with such writers as Colin Dexter and Henning Mankell. Along the way she writes about Arthur Conan Doyle, Dorothy L. Sayers, Agatha Christie ("arch-breaker of rules"), Josephine Tey, Dashiell Hammett, and Peter Lovesey, among many others. She traces their lives into and out of their fiction, clarifies their individual styles, and gives us indelible portraits of the characters they've created, from Sherlock Holmes to Sara Paretsky's sexually liberated female investigator, V. I. Warshawski. She compares British and American Golden Age mystery writing. She discusses detective fiction as social history, the stylistic components of the genre, her own process of writing, how critics have reacted over the years, and what she sees as a renewal of detective fiction--and of the detective hero--in recent years.There is perhaps no one who could write about this enduring genre of storytelling with equal authority and flair: it is essential reading for every lover of detective fiction.From the Hardcover edition.
Hatti Ward is the most accomplished and kind of the Ward sisters, but is treated with contempt by all except her mother. Packed off to her uncle's estate in Portsmouth, she has to endure her frightful cousins and haughty Lady Ursula. Soon she and Lady Ursula are in competition for a certain lord.
For over sixty years the weekly broadcast from the Metropolitan Opera in New York has been an important part of American cultural life. The broadcasts, whose continuity was ensured when Texaco assumed sponsorship in 1940, have played a significant role in introducing an audience of millions to the splendors of opera. Paul Jackson, whose own recollections of the broadcasts start in 1940, presents a rich and detailed history of the broadcasts from their inception in 1931, when the imperious Gatti-Casazza ruled, on through the troubled, yet often triumphant, regime of the more affable Edward Johnson. This was a time when the Wagner operas were performed with unparalleled grandeur, when the Mozart operas were introduced to a nationwide public, and the American singer came to the fore. Above all, it was an age of glorious voices and memorable characterizations - Pinza's Figaro, Melchior's Siegfried, Lehmann's Marschallin, Martinelli's Otello, Milanov's Gioconda, Bjoerling's Manrico, Albanese's Violetta. Beecham, Walter, Reiner, and Szell contributed to the era of legendary conductors in the forties. Jackson, a musicologist with an uncommon ability to combine narrative history with musical analysis and criticism, brings to life the more than two hundred broadcasts of which recordings, pirated or archival, survive. They constitute a unique record in sound of one of the Metropolitan's great periods. The author explores the glory and decline of Tibbett's and Rethberg's careers, the probity of Ponselle's Carmen, the premiere of Hanson's Merry Mount, the debuts of Flagstad and Sayao. Nor are the blemishes on the Met record slighted in this candid critique. In addition to these primary sources of live performances, Jackson utilizes unpublished documents and letters from the Metropolitan Opera Archives to tell the story of intricate maneuvers between the Met and the National Broadcasting System, and artistic intrigues within the company. Enhanced by more than one hundred evocative photographs, this lively chronicle recreates a flavorful period of opera history, when the Met broadcast from its old home at Thirty-ninth and Broadway, the urbane Milton Cross provided commentaries, and listeners across the country tuned in on their Philco and Capehart consoles. An important document of aural music history, this book should delight any opera lover and bring back a flood of memories to longtime devotees of the broadcasts.
The school revolution by Ron Paul | Literally Just Books
