by Philip Martin (1997)
Through these varied essays on politics, ethics, music, race, and culture Philip Martin admits "a minor obsession" with what he calls "the American Frolic" - the essential lack of seriousness with which many of us approach the questions inherent in living in a free society. He observes that Americans have been conditioned to react, not to consider; that while we are very good at ripostes and snappy comebacks, at cracking wise and looking smart, we often fail to authentically engage the issues with which we pretend to be most concerned. We inadvertently talk past one another, he says, resorting to cant and partisan boilerplate. In the essays presented in The Shortstop's Son, Philip Martin rigorously resists easy labels and rote ideological truths. He pursues more subtle meanings with a common-sense lucidity and a fundamental compassion for humanity. Whether writing about the mythos built upon Bonnie and Clyde's bullet-ridden Ford or the ignoble death and burial of blues legend Blind Lemon Jefferson, Martin strikes the chord that both moves and informs.
Bob Arya
Thirty Seconds to Air covers the professional and personal issues, concerns, and difficulties that a live broadcast reporter must confront and conquer in order to be successful. Filled with concrete examples and practice situations, and written in an easy-to-read conversational style, Thirty Seconds to Air will be useful to anyone, student or professional, seeking to improve his or her live broadcast performance.
Ben Fong-Torres
The Rice Room is a brilliant and moving memoir of growing up in Oakland's Chinatown, by one of America's preeminent journalists. Ben Fong-Torres was the third child of first-generation Chinese parents. His father came to America via the Philippines, adding "Torres" to his name to convince immigration officials that he was Filipino, since there were strict limits on the number of Chinese immigrants that were allowed. His mother came into the country under similarly deceptive circumstances. Together they set up a life that did not include outsiders, and they assumed that their children would share their views. But for Ben and his siblings, including older brother and Number One Son Barry, this was never an option. As youngsters, they loved exploring the sights and sounds of their immediate neighborhood, and spent much of their time working and studying in the rice room of their family restaurant, isolated from outsiders. But going to an American school made them aware of an entirely different world, and soon Ben and Barry were shocking their parents by reciting American song lyrics, reading American comic books, and even listening to forbidden rock and roll lp's. At age twelve, Ben went with his father to Amarillo, Texas, to open a restaurant. There he was thrown into a strange new community, many of whose members had never laid eyes upon an Asian person before. Ben combatted his loneliness by hard work, learning to lip-synch to Elvis, and tentatively making a few friends, ignoring the comments of those such as his gym teacher, who called him "Chop-Chop." By the time he returned to Oakland, he was much more aware of how the rest of the country might view his family, and he was more determined than ever to have a piece of the American pie. Working in the detested rice room made Ben and his siblings realize how much was expected of them as Chinese sons and daughters. Yet Ben continued to be obedient, at least on the surface - in the meantime holding down newspaper writing jobs at increasingly radical papers, including the daily Golden Gator at Berkeley, where he covered the nascent protest movement. Ironically, even as he tried to communicate in halting Cantonese with his parents, who never mastered English, he was becoming an important part of the American mainstream. Upon graduation from college he joined the staff of a fledgling magazine called Rolling Stone, and joined the group of people who chronicled and came to define the 1960s counterculture, partying with Jann Wenner and Hunter Thompson, and interviewing Janis Joplin, Jim Morrison, Bob Dylan, The Jefferson Airplane, and scores of other seminal musicians of the era. Then tragedy struck - and Ben had to learn that family came first, no matter how backward at times they seemed. The Rice Room is riveting personal history of the most moving and engaging kind - a story of growing up in this country that readers of all backgrounds will want to experience.
Jeremy Clarke
Jeremy Clarke made his girlfriend pregnant, resigned from his job as a refuse collector, resigned his church membership, sold his house, went to the Democratic Republic of Congo, then came back altered. Now the author of the 'Low Life' column in the Spectater, Clarke tells his story.
Hunter S. Thompson
Maverick author Hunter S. Thompson introduced the world to "gonzo journalism" with this cult classic that shot back up the best seller lists after Thompson's suicide in 2005. No book ever written has more perfectly captured the spirit of the 1960s counterculture. In Las Vegas to cover a motorcycle race, Raoul Duke (Thompson) and his attorney Dr. Gonzo (inspired by a friend of Thompson) are quickly diverted to search for the American dream. Their quest is fueled by nearly every drug imaginable and quickly becomes a surreal experience that blurs the line between reality and fantasy. But there is more to this hilarious tale than reckless behavior, for underneath the hallucinogenic facade is a stinging criticism of American greed and consumerism.