The Story of Lucy Gault

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Rohinton Mistry

"The setting is Bombay, mid-1990s. Nariman Vakeel, suffering from Parkinson's disease, is the elderly patriarch of a small, discordant family. In a building called Chateau Felicity, he and his two middle-aged stepchildren - Coomy, bitter and domineering, and her just-younger brother, Jal, mild mannered and acquiescent - occupy a once-elegant apartment whose ruin is progressing as rapidly as Nariman's disease. Coomy has "rules to govern every aspect of [Nariman's] shrunken life," but even she cannot keep him from his evening walks. When he stumbles and breaks an ankle (fulfilling one of Coomy's nagging prophecies), she has hardly said "I told you so" before she is plotting to turn his round-the-clock care over to her younger, sweet-tempered half sister. Roxana, her husband, and their two sons live in an already overcrowded apartment, but Coomy knows that Roxana will not refuse her. What Coomy cannot know is that she has set in motion a great unraveling (and an unexpected repair) of the family - and a revelation of its deeply love-torn past."--BOOK JACKET.

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Philip Hensher

The first Afghan War of 1839 (the English tried and failed to displace a potentate unfriendly to its colonial ambitions) is the subject of this fascinating US debut. Well-known British novelist and journalist Hensher introduces with considerable flair a dauntingly large cast of characters in England and Kabul, with sidetrips to India and Russia, in a flexible omniscient narrator’s voice that frequently underscores his story with pointed sardonic commentary. The most prominent among them include Alexander Burnes, a dashing writer-adventurer lionized in London when his popular Travels into Bokhara and Cabool makes a reigning expert on those far-off lands indispensable to his government; Bella Garraway, the spirited girl who bears Burnes a son, and is thereafter consigned to “seclusion” at her family’s country estate; and Amir Dost Mohammed Khan, the cunning ruler whose “Napoleonic mind” enables him to play off British strategies against those of Imperial Russia, which also has vested interests (and numerous carefully positioned “agents”) in Afghanistan. Hensher surrounds them with literally dozens of other figures whose experiences embody irreconcilable contrasts between the luxuriant exoticism of the East and the brisk pragmatism of the West—contrasts that are, paradoxically, recognized as inherently simplistic clichés, and noted with urbane irony. Introverted military man Charles Masson, a victim of sexual violence who becomes an itinerant avenging angel, evokes the figure of T.E. Lawrence as vividly as Burnes (whom he’ll meet, in several crucially revealing late scenes) suggests that of the demonic globetrotter Richard Burton. Two matching “bores,” British army officers McNaghten and Elphinstone, are deftly employed both to comment on their country’s adventuring and to embody its ghastly consequences. The scheming Amir’s equally amoral favorite son Akbar, the elegant sadist Shah Shujah, and cultivated, Balzac-loving Russian “explorer” Vitkevich all figure importantly in the catapulting events that lead to the rousing and harrowing climax: the bloody siege of Jalabad, and its sorrowful aftermath.[Kirkus Reviews][1] [1]:

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David Foster Wallace

Consider the lobster, and other essays is a celebrated work by David Foster Wallace (MacArthur Fellow, Pulitzer Finalist), recognized for masterclass storytelling and lasting literary resonance.

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Roddy Doyle

Mad Weekend is a celebrated work by Roddy Doyle (Booker Prize Winner), recognized for masterclass storytelling and lasting literary resonance.