The trip to Echo Spring

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Warren Farrell

Dr. Warren Farrell has embarked upon an extraordinary mission that concerns us all - to bring the sexes back together. Backed by a stunning array of facts, The Myth of Male Power shatters the singular assumption that most keeps men and women apart - the belief that men have the power. This myth, says Dr. Farrell, hurts everyone - by making women feel oppressed and angry and men feel unloved and unappreciated. It has fueled hate between the sexes at a point in history that would otherwise have the greatest potential for love between the sexes. It has done this by keeping us ignorant of male powerlessness. This courageous book, filled with staggering facts gathered from numerous reliable sources, will empower both sexes to ask the questions we need to begin a genuine dialogue, such as: If men are the powerful sex why are they the suicide sex? (Why are we unaware that our grandfathers are 1350 percent more likely to commit suicide than our grandmothers?) Why did men live one year less than women in 1920 but live seven years less than women in 1990? Why are our dads about as likely to die of prostate cancer as our mothers are of breast cancer while breast cancer receives 660 percent more funding? Why do men make more money but have lower net worths? As the only man ever elected three times to the Board of the National Organization for Women (NOW) in New York City, Dr. Farrell has been listening to both sexes for a quarter of a century and is uniquely able to write in a way that both articulates men's feelings and helps women feel more love for the men in their lives. As a man who has taught in numerous disciplines, he takes us throughout history, across cultures, and into our psyches today. He helps us understand why feminism helped us see that God could be a she but not that the devil could also be a she; why the political parties are keeping women dependent in exchange for votes; why conservatives, liberals, and feminists are all unconsciously undermining genuine equality and why the government is becoming a substitute husband.

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Robert Greenfield

The first major biography of one of the most controversial figures in postwar America. To a generation in full revolt against any form of authority, "Tune in, turn on, drop out" became a mantra, and its popularizer, Dr. Timothy Leary, a guru. A charismatic and brilliant psychologist, Leary became first intrigued and then obsessed by the effects of psychedelic drugs in the 1960s while teaching at Harvard, where he not only encouraged but instituted their experimental use among students and faculty. What began as research into human consciousness turned into a mission to alter consciousness itself. Leary transformed himself from serious social scientist into counterculture shaman, embodying the idealism and the hedonism of an age of revolutionary change.--Publisher description.

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Anita Brookner

I have come to believe that there can be no adequate preparation for the sadness that comes at the end, the sheer regret that one's life is finished, that one's failures remain indelible and one's successes illusory.' Elizabeth and Betsy are old school friends. Born in 1948 and unready for the sixties, they had high hopes of the lives they would lead, even though their circumstances were so different. When they meet again in their thirties, Elizabeth, married to the safe, older Digby is relieving the boredom of a cosy but childless marriage with an affair. Betsy seems to have found real romance in Paris. Are their lives taking off, or are they just making more of the wrong choices without even realising it?

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Michael C. Fitzgerald

Picasso's stature as the foremost artist of this century is inseparable from his profound engagement with the art market. In making modernism, Michael C. Fitzgerald illustrates how Picasso enhanced his reputation in the art world - and in so doing transformed that world - by adroitly orchestrating the commercial presentation of his work. Drawing on previously unpublished correspondence between Picasso and his dealers and museum curators. Fitzgerald follows the artist from his search for a gallery in Paris through his acceptance by the renowned dealers Paul Rosenberg and Georges Wildenstein to the acclaimed 1939 retrospective of his work at the museum of modern art in New York. As a leader of the avant-garde, Picasso was a model for other artists, and Fitzgerald's analysis of his commercial strategies reveals the modern-art market to be no mere site of exchange but the dynamo of the art world, where critics, collectors, and curators join with artists and dealers to confer artistic standing. Rich in anecdote and observation, Making Modernism is a groundbreaking book, one that changes our view of the artist's studio, the dealer's gallery, and the world's great museums - indeed, our view of art itself.