by Joseph Bruchac (1998)
The time is ten thousand years ago and the place is the shores of Lake Champlain, a land inhabited by Abenaki communities who hunt, gather, and follow the cycles of their unspoiled natural world in relative harmony. Joseph Bruchac uses this setting not just to spin a compelling adventure yarn but also to re-create the cultural, social, and spiritual systems of these pre-contact Native Americans. In this third novel of his trilogy about the "people of the dawnland," the lake they call Petonbowk - "the waters between" Vermont's Green Mountains and New York's Adirondacks - holds both sustenance and danger, and Young Hunter is called upon to confront a dual menace. A "deepseer" or shaman, he must use his full powers first to comprehend the threats and then to defeat them. The lake, it seems, holds a huge water-snake monster that makes it impossible to reap the waters' bountiful harvest of fish and game. And, worse, a tortured outcast, Watches Darkness, has turned against his tribe and is using his deepseer's knowledge to perpetrate horrible acts of senseless evil: he destroys whole villages out of sheer malevolence; he literally eats his victims' hearts to absorb their powers; he kills his own grandmother without remorse.
Bernard Cornwell
'Discover a time of ritual and sacrifice...A land steeped in blood and glory...A family of brothers whose deadly rivalries and glorious ambitionswill forever mark the world. In this rousing epic, Bernard Cornwell has created the Most compelling and powerful human drama of its kind since Ken Follett's The Pillars of the Earth and Edward Rutherford's Sarum.
Philip Dray
It is easy to shrink from our country's brutal history of lynching. Lynching is called the last great skeleton in our nation's closet: It terrorized all of black America, claimed thousands upon thousands of victims in the decades between the 1880s and the Second World War, and leaves invisible but deep scars to this day. The cost of pushing lynching into the shadows, however--misremembering it as isolated acts perpetrated by bigots on society's fringes--is insupportably high: Until we understand how pervasive and socially accepted the practice was--and, more important, why this was so--it will haunt all efforts at racial reconciliation."I could not suppress the thought," James Baldwin once recalled of seeing the red clay hills of Georgia on his first trip to the South, "that this earth had acquired its color from the blood that had dripped down from these trees." Throughout America, not just in the South, blacks accused of a crime--or merely of violating social or racial customs--were hunted by mobs, abducted from jails, and given summary "justice" in blatant defiance of all guarantees of due process under law. Men and women were shot, hanged, tortured, and burned, often in sadistic, picnic-like "spectacle lynchings" involving thousands of witnesses. "At the hands of persons unknown" was the official verdict rendered on most of these atrocities.The celebrated historian Philip Dray shines a clear, bright light on this dark history--its causes, perpetrators, apologists, and victims. He also tells the story of the men and women who led the long and difficult fight to expose and eradicate lynching, including Ida B. Wells, James Weldon Johnson, Walter White, and W.E.B. Du Bois. If lynching is emblematic of what is worst about America, their fight may stand for what is best: the love of justice and fairness and the conviction that one individual's sense of right can suffice to defy the gravest of wrongs. This landmark book follows the trajectory of both forces over American history--and makes the history of lynching belong to us all.From the Hardcover edition.
Max Brooks
“The end was near.” —Voices from the Zombie War The Zombie War came unthinkably close to eradicating humanity. Max Brooks, driven by the urgency of preserving the acid-etched first-hand experiences of the survivors from those apocalyptic years, traveled across the United States of America and throughout the world, from decimated cities that once teemed with upwards of thirty million souls to the most remote and inhospitable areas of the planet. He recorded the testimony of men, women, and sometimes children who came face-to-face with the living, or at least the undead, hell of that dreadful time. World War Z is the result. Never before have we had access to a document that so powerfully conveys the depth of fear and horror, and also the ineradicable spirit of resistance, that gripped human society through the plague years. Ranging from the now infamous village of New Dachang in the United Federation of China, where the epidemiological trail began with the twelve-year-old Patient Zero, to the unnamed northern forests where untold numbers sought a terrible and temporary refuge in the cold, to the United States of Southern Africa, where the Redeker Plan provided hope for humanity at an unspeakable price, to the west-of-the-Rockies redoubt where the North American tide finally started to turn, this invaluable chronicle reflects the full scope and duration of the Zombie War. Most of all, the book captures with haunting immediacy the human dimension of this epochal event. Facing the often raw and vivid nature of these personal accounts requires a degree of courage on the part of the reader, but the effort is invaluable because, as Mr. Brooks says in his introduction, “By excluding the human factor, aren’t we risking the kind of personal detachment from history that may, heaven forbid, lead us one day to repeat it? And in the end, isn’t the human factor the only true difference between us and the enemy we now refer to as ‘the living dead’?”
P.D. James
In a perfect marriage of author and subject, P. D. James--one of the most widely admired writers of detective fiction at work today--gives us a personal, lively, illuminating exploration of the human appetite for mystery and mayhem, and of those writers who have satisfied it.P. D. James examines the genre from top to bottom, beginning with the mysteries at the hearts of such novels as Charles Dickens's Bleak House and Wilkie Collins's The Woman in White, and bringing us into the present with such writers as Colin Dexter and Henning Mankell. Along the way she writes about Arthur Conan Doyle, Dorothy L. Sayers, Agatha Christie ("arch-breaker of rules"), Josephine Tey, Dashiell Hammett, and Peter Lovesey, among many others. She traces their lives into and out of their fiction, clarifies their individual styles, and gives us indelible portraits of the characters they've created, from Sherlock Holmes to Sara Paretsky's sexually liberated female investigator, V. I. Warshawski. She compares British and American Golden Age mystery writing. She discusses detective fiction as social history, the stylistic components of the genre, her own process of writing, how critics have reacted over the years, and what she sees as a renewal of detective fiction--and of the detective hero--in recent years.There is perhaps no one who could write about this enduring genre of storytelling with equal authority and flair: it is essential reading for every lover of detective fiction.From the Hardcover edition.