The Way the Crow Flies

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M. G. Vassanji

"Kenya, 1953: The British colony celebrates Queen Elizabeth's coronation, just as the Mau Mau guerrilla war begins to gain strength. In the midst of a violent and fearful climate of racist attitudes and calls for freedom, a diverse group of children meet and become friends in a small upcountry town. Eight-year-old Vic and his younger sister, Deepa, of Indian descent, Njoroge, an African boy; and British siblings Annie and Bill play all sorts of make-believe games reflecting the surrounding reality. When one day their innocent games are brought to a brutal conclusion, their world tumbles around them." "Against the backdrop of a chaotic and changing Kenya, we follow Vic into an adulthood still shrouded by the fear in which his childhood ended. He is an "in-between man." An Asian, he stands between the white colonials and the black Africans; his homeland is Kenya, but in the 1960s - in the early, heady years of independence and of Jomo Kenyatta's presidency - he feels unimportant and irrelevant to the new nation. He is a man who learns early not to take too strong a stand but to simply remain in-between and go along." "When Vic takes a job in civil service, he becomes an in-between man of another sort: a conduit for influence brokers. And as the hopefulness of the 1960s gives way to the pervasive corruption and repression of the 1970s and 1980s, Vic is drawn deeper and deeper into the official orbit of graft and power-brokering - pocketing ever-larger bribes, buying protection from Kenyatta himself - finally earning "the distinction of having been numbered one of Africa's most corrupt men, a cheat of monstrous and reptilian cunning." At the same time, we see how Njoroge lives through the remnants of his youthful idealism, taking hold of unexpected opportunities - as a Kikuyu, he is a member of Kenyatta's ruling class - and reigniting in adulthood the abiding love for Deepa that began when they were children. But neither Njoroge's idealism nor Vic's cynicism will be powerful enough to stave off the tragedies that await them."--BOOK JACKET.

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John Bemrose

For generations, the Walkers have lived on the island in a small, working class mill town beside Ontario's Attawan River. In the summer of 1965 their peace is shattered when a union organiser comes to town and Alf Walker is forced to choose between loyalty to his friends and advancement up the company ranks. His decision threatens to overwhelm not only his own life, but also his family. Through the course of the book, we come to know the Walkers intimately.

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Margaret Atwood

Oryx and Crake is at once an unforgettable love story and a compelling vision of the future. Snowman, known as Jimmy before mankind was overwhelmed by a plague, is struggling to survive in a world where he may be the last human, and mourning the loss of his best friend, Crake, and the beautiful and elusive Oryx whom they both loved. In search of answers, Snowman embarks on a journey–with the help of the green-eyed Children of Crake–through the lush wilderness that was so recently a great city, until powerful corporations took mankind on an uncontrolled genetic engineering ride. Margaret Atwood projects us into a near future that is both all too familiar and beyond our imagining.

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Jacqueline Woodson

For August, running into a long-ago friend sets in motion resonant memories and transports her to a time and a place she thought she had mislaid: 1970s Brooklyn, where friendship was everything. August, Sylvia, Angela, and Gigi shared confidences as they ambled their neighborhood streets, a place where the girls believed that they were amazingly beautiful, brilliantly talented, with a future that belonged to them. But beneath the hopeful promise there was another Brooklyn, a dangerous place where grown men reached for innocent girls in dark hallways, where mothers disappeared, where fathers found religion, and where madness was a mere sunset away. Woodson heartbreakingly illuminates the formative period when a child meets adulthood -- when precious innocence meets the all-too-real perils of growing up. --