The White Woman on the Green Bicycle

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Kamila Shamsie

A powerful, sweeping epic crossing generations, cultures and continentsIn a prison cell in the US, a man stands trembling, naked, fearfully waiting to be shipped to Guantanamo Bay. How did it come to this? he wonders...August 9th, 1945, Nagasaki. Hiroko Tanaka steps out onto her veranda, taking in the view of the terraced slopes leading up to the sky. Wrapped in a kimono with three black cranes swooping across the back, she is twenty-one, in love with the man she is to marry, Konrad Weiss.In a split second, the world turns white. In the next, it explodes with the sound of fire and the horror of realisation. In the numbing aftermath of a bomb that obliterates everything she has known, all that remains are the bird-shaped burns on her back, an indelible reminder of the world she has lost.In search of new beginnings, she travels to Delhi two years later. There she walks into the lives of Konrad’s half-sister, Elizabeth, her husband James Burton, and their employee Sajjad Ashraf, from whom she starts to learn Urdu. As the years unravel, new homes replace those left behind and old wars are seamlessly usurped by new conflicts. But the shadows of history – personal, political – are cast over the entwined worlds of the Burtons, Ashrafs and the Tanakas as they are transported from Pakistan to New York, and in the novel’s astonishing climax, to Afghanistan in the immediate wake of 9/11. The ties that have bound them together over decades and generations are tested to the extreme, with unforeseeable consequences.Sweeping in its scope and mesmerising in its evocation of time and place, Burnt Shadows is an epic narrative of disasters evaded and confronted, loyalties offered and repaid, and loves rewarded and betrayed.

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Lorrie Moore

In her best-selling story collection, Birds of America ("[it] will stand by itself as one of our funniest, most telling anatomies of human love and vulnerability" --James McManus, front page of The New York Times Book Review), Lorrie Moore wrote about the disconnect between men and women, about the precariousness of women on the edge, and about loneliness and loss.Now, in her dazzling new novel--her first in more than a decade--Moore turns her eye on the anxiety and disconnection of post-9/11 America, on the insidiousness of racism, the blind-sidedness of war, and the recklessness thrust on others in the name of love.As the United States begins gearing up for war in the Middle East, twenty-year-old Tassie Keltjin, the Midwesterndaughter of a gentleman hill farmer--his "Keltjin potatoes" are justifiably famous--has come to a university town as a college student, her brain on fire with Chaucer, Sylvia Plath, Simone de Beauvoir.Between semesters, she takes a job as a part-time nanny.The family she works for seems both mysterious and glamorous to her, and although Tassie had once found children boring, she comes to care for, and to protect, their newly adopted little girl as her own.As the year unfolds and she is drawn deeper into each of these lives, her own life back home becomes ever more alien to her: her parents are frailer; her brother, aimless and lost in high school, contemplates joining the military. Tassie finds herself becoming more and more the stranger she felt herself to be, and as life and love unravel dramatically, even shockingly, she is forever changed.This long-awaited new novel by one of the most heralded writers of the past twodecades is lyrical, funny, moving, and devastating; Lorrie Moore's most ambitious book to date--textured, beguiling, and wise.From the Hardcover edition.

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Jonathan Buckley

On losing her father, Teresa returns to a small town on the Greek coast – the same place she visited when grieving her mother nine years ago. She immerses herself again in the life of the town, observing the inhabitants going about their business, a quiet backdrop for her reckoning with herself. An episode from her first visit resurfaces vividly – her encounter with John, a man struggling to come to terms with the violent death of his nephew. Soon Teresa encounters some of the people she met last time Petros, an eccentric mechanic, whose life story may or may not be part of John's; the beautiful Niko, a diving instructor; and Xanthe, a waitress in one of the cafés on the leafy town square. They talk about their longings, regrets, the passing of time, their sense of who they are. Artfully constructed, absorbing and insightful, One Boat is a brilliant novel grappling with questions of identity, free will, guilt and responsibility.

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Abdulrazak Gurnah

Saleh Omar used to be a furniture-shop owner, house owner, husband and father. Now he is an asylum seeker. When he meets Latif, a voluntary refugee, in a small English seaside town, there begins an unravelling of a story begun long ago.