Stranger passing
Joel Sternfeld
Accompanied by text from Ian Frazier and Douglas R. Nickel, this collection functions as an in-depth look into the breadth and growth of Sternfeld's art.

by John Middleton (1992)
"The Swahili of East Africa have a long and distinctive history as a literate, Muslim, urban, and mercantile society. In this book a leading Africanist presents the first full-length anthropological account of the Swahili and offers an original analysis of their little-understood and unusual culture." "Swahili towns, some urban with elegant stone buildings and others more rural with palm-leaf-matting houses, are spread along the thousand-mile East African coast. Because each local community is culturally different from its neighbors, previous historians and anthropologists have viewed the Swahili as a series of isolated and "detribalized" groups. John Middleton argues, on the contrary, that beneath the cultural variation is a single structure, that of a well-defined and complex trading society that has shown little change through the ages. Drawing on his own field research and on earlier writings on the Swahili, Middleton describes this centuries-old mercantile culture--its local and descent groupings, marriage patterns, religion, and values. He traces the history of their colonized past as subjects to Arabs, portuguese, British, and others and shows that, although their economic and political role has continually been a subordinate one, their sense of unique identity enables then to persist as an ongoing civilization."--BOOK JACKET.
Joel Sternfeld
Accompanied by text from Ian Frazier and Douglas R. Nickel, this collection functions as an in-depth look into the breadth and growth of Sternfeld's art.
John Gary Brown
"Celebrating master stone sculptors as well as grassroots and ethnic folk artists, Brown's images document the rich traditions of cemetery art as found throughout Wisconsin, Indiana, Illinois, Iowa, Missouri, Kansas, Nebraska, Oklahoma, Colorado, and New Mexico. Combining strong visual images with stories and analysis, Brown illuminates the cultural, historic, and aesthetic roles of gravestones in both metropolitan and rural cemeteries." "The art itself manifests a great many forms and subjects, including life-size limestone statuary, hovering marble angels, and ornate wrought-iron crosses, in addition to the more modest traditional motifs in etched granite and concrete. Brown also records the idiosyncratic and the bizarre - an Egyptian sphinx, a gigantic baseball, an elaborate locomotive, a converted car engine - and provides insight into the meaning of epitaphs and iconography."--BOOK JACKET.
Joan Potter Loveless
This reminiscence of the lives and work of three craftswomen covers a period of some forty years. Joan Potter Loveless came to Taos in the early 1950s fresh out of Black Mountain College where she had studied weaving with Anni Albers. When she and her artist husband and baby daughter arrived in their Model A convertible they did not suspect that they would establish a relationship with the region that would pull them back again and again. Loveless's life became. Intertwined with that of her friends Rachel Brown and Kristina Wilson. They shared with her a love for the New Mexico landscape, their work as weavers and spinners, and the joys and sorrows of children and grandchildren. In addition to the story of their friendship, this is the story of the evolution of their work--a relationship with wool that is unique to each weaver but for each intimately related to Northern New Mexico. As their careers developed they participated in. Craft co-ops, educational programs, and commercial ventures, including Tierra Wools in Los Ojos, New Mexico, and Weaving Southwest in Taos. Anyone who has ever made a living as a craftsperson or thought about doing so will delight in Joan Loveless's thoughtful evocation of this way of life. Loveless beautifully captures the spirit of Taos valley, the texture of daily life, and the challenge of the creative process. Anyone with an interest in the culture of the Southwest. Or the history of the Taos art colony will enjoy Three Weavers.
Russell Freedman
Historical photographs with explanatory text present a picture of life in the American West from 1840 to the early 1900s.