The young mistress

Sample

Kate Charles

Everyone agrees that Bob Dexter, the prominent Evangelical clergyman, has a great deal of personal charisma. Those who know him realise that he also has an unshakable faith in his own righteousness, and a real talent for rubbing people up the wrong way. It is no surprise, therefore, that someone should want to kill him. In fact, when the Reverend Dexter moves to a small Norfolk parish, traditionally Anglo-Catholic, and begins remoulding it in his own image, his distraught parishioners are not the only ones with good reason to want to remove him. And there are secrets in his seemingly tranquil family life that Dexter does not even begin to suspect - until the fateful and eventful day of his death. Solicitor David Middleton-Brown and his artist-friend Lucy Kingsley step in to investigate. Their search for the truth culminates at the annual National Pilgrimage to Walsingham, where Anglo-Catholic pomp clashes with heated Evangelical protest, and feelings run perilously high. Too late, perhaps, David realises the danger: will he be in time to prevent a second murder?

Sample

Aoyama Gōshō

Precocious high school student Shinichi Kudo, who is also an excellent amateur detective, is poisoned and shrunk to the size of a six-year old boy. Despite his unusual transformation, he still uses his keen powers of observation and astute intuition to solve mysteries that have left law enforcement officials baffled.

Sample

Peter May

Paris. An old mystery. As midnight strikes, a man desperately seeking sanctuary flees into a church. The next day, his sudden disappearance will make him famous throughout France. A new science. Forensic expert Enzo Macleod takes a wager to solve the seven most notorious French murders using modern technology - and a total disregard for the justice system. A fresh trail. Deep in the catacombs below the city, he unearths dark clues deliberately set - and as he draws closer to the killer, discovers that he is to be the next victim.

Sample

Bret Easton Ellis

In Glamorama, a young man in what is recognizably fashion- and celebrity-obsessed Manhattan is gradually, imperceptibly drawn into a shadowy looking-glass of that society, there and in London and Paris, and then finds himself trapped on the other side, in a much darker place where fame and terrorism and family and politics are inextricably linked and sometimes indistinguishable. At once implicated and horror-stricken, his ways of escape blocked at every turn, he ultimately discovers - back on the other, familiar side - that there was no mirror, no escape, no world but this one in which hotels implode and planes fall from the sky.