by edited and with an introduction by Harold Bloom (1987)
A collection of eight critical essays on Hardy's novel "The Return of the Native" arranged in chronological order of publication.
Wendy Greenhill and Paul Wignall
Introduces Shakespeare's play A Midsummer Night's Dream, discussing plot and characters, possible sources of inspiration for the play, the history of early performances, and how the productions have evolved over the years.
Yasmin Hussain
"Issues of cultural hybridity, diaspora and identity are central to debates on ethnicity and race and, over the past decade, have framed many theoretical debates in sociology, cultural studies and literary studies. However, these ideas are all too often considered at a purely theoretical level." "In this book Yasmin Hussain uses these ideas to explore cultural production by British South Asian women including Monica Ali, Meera Syal and Gurinder Chadha. Hussain provides a sociological analysis of the contexts and experiences of the British South Asian community, discussing key concerns that emerge within the work of this new generation of women writers and which express more widespread debates within the community. In particular these authors address issues of individual and group identity and the ways in which these are inflected by ethnicity and gender."--Jacket.
Wendy Greenhill
Introduces Shakespeare's play A Midsummer Night's Dream, discussing plot and characters, possible sources of inspiration for the play, the history of early performances, and how the productions have evolved over the years.
Frank Sargeson
"Frank Sargeson wrote fiction over almost half a century. During most of this time he also wrote occasional criticism. In form this varied from book reviews to imaginary dialogues, addresses at meetings or on the radio, opinions expressed in interviews. In subject matter he ranged widely, from appraisals of individual writers to mote general issues of literary form and content and the social milieu from which they arose. The relevance to his own fiction is usually apparent. Wriers considered include D.H. Lawrence, Sherwood Anderson, Henry Lawson, Rolf Boldrewood and Olive Schreiner, besides fellow New Zealanders as Katherine Mansfield, Janet Frame, Dan Davin, James Courage, Bill Pearson, Ronald Hugh Morrieson. He was particularly concerned with the societies which rew on the nineteenth-century European colonial frontiers, and with the writers they produced. All his opinions bear the unmistakeable mark of his own cast of mind. ..."--Book jacket.