To the is-land

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Joe McGinniss

"In The Last Brother, Joe McGinniss brings to startling and disturbing life the childhood, the brief triumph, and the long downward slide of the last Kennedy brother ... and exposes, as never before, the chilling reality behind the glittering facade of America's First Dysfunctional Family, as well as the terrible cost of Ambassador Joseph P. Kennedy's dark ambitions for his children - even the last and least of them." "His book focuses in particular on the extraordinary sixties, a decade that began in glory for the family with Jack's ascension to the presidency, and ended - after the murders of Jack and Bobby, the tragedy at Chappaquidick, and their father's death - with Teddy, the last brother, standing alone in the rubble of Camelot." "While The Last Brother is both shocking and newsworthy, Teddy Kennedy emerges as a curiously tragic figure, the victim of his own family, forever "the fat, awkward little boy" who was ignored by his siblings, his father and his mother, then propelled, unwilling and unprepared, into the public limelight." "Searing, yet strangely moving and even sympathetic, The Last Brother presents a detailed, tragic portrait of a man at war with himself, doomed to live in the giant shadow of his brothers, trapped in the glorious but hollow Kennedy myth, longing - but unable - to escape."--Jacket.

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Hayden Herrera

Hailed by readers and critics across the country, this engrossing biography of Mexican painter Frida Kahlo reveals a woman of extreme magnetism and originality, an artist whose sensual vibrancy came straight from her own experiences: her childhood near Mexico City during the Mexican Revolution; a devastating accident at age eighteen that left her crippled and unable to bear children; her tempestuous marriage to muralist Diego Rivera and intermittent love affairs with men as diverse as Isamu Noguchi and Leon Trotsky; her association with the Communist Party; her absorption in Mexican folklore and culture; and her dramatic love of spectacle. Here is the tumultuous life of an extraordinary twentieth-century woman -- with illustrations as rich and haunting as her legend.

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Tom Copeland

On November 11, 1919, the citizens of Centralia, Washington, gathered to watch former servicemen, local Boy Scouts, and other community groups march in the Armistice Day parade. When the marchers swung past the meeting hall of the Industrial Workers of the World, a group of veterans broke ranks, charged the hall, and were met by gunshots. Before the day was over, four of the marchers were dead and one of the Wobblies had been lynched by the mob. Through a wealth of newly available primary source material including previously sealed court documents, FBI records released under the Freedom of Information Act, and interviews with surviving witnesses, Tom Copeland has pieced together the events of that day and has traced the fate of the men who were accused and convicted of murdering the marchers. Copeland focuses on Elmer Smith, the local attorney who advised the Wobblies that they had the right to defend their hall against an anticipated attack.^ Although he never belonged to the I.W.W., Smith sympathized with their interests, championing the rights of working people and speaking on their behalf. He was originally arrested with the Wobblies and then took up their cause in the courts, beginning a life-long struggle to free the men who were charged with murdering the Centralia marchers. The fight lasted for fourteen years, during which Smith endured insults, threats, arrest, disbarment, and reinstatement. Copeland recounts Smith's run for political office, his speeches throughout the Northwest, and his unyielding support for the workers' cause. In 1932 he died at the age of forty-four. The book is a balanced treatment of the Centralia tragedy and its legal repercussions written by a practicing lawyer. It is also a compelling human drama, centering on the marginal life of an industrial frontier labor lawyer; a study of radical politics of the 1920s; and a depiction of conditions of life in the lumber camps and towns.^ It is thus biography as well as legal, political, and social history.

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Jerry Weist

"Bradbury: An Illustrated Life features magazine illustrations, movie stills and posters, comic book art, letters, scripts, book jackets, and paintings - all expertly selected and insightfully explained - that trace an incomparable artist's journey through the twentieth century and into the twenty-first. Here also are rare and illuminating gems from some of his renowned compatriots and collaborators, including excerpts from the journal of legendary director Francois Truffaut, written during the making of the motion picture version of Bradbury's classic Fahrenheit 451."--BOOK JACKET.