Transatlantic print culture, 1880-1940

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Sarah Pinborough

"In this ... sequel to ... Mayhem, author Sarah Pinborough continues the adventures of troubled Victorian forensics expert Dr. Thomas Bond. Haunted by the nerve-shattering events he endured during the Jack the Ripper and Thames Torso Killer investigations, Dr. Bond is trying to reestablish the normal routines of daily life. Aiding in his recovery is the growing possibility that his long-held affections for the recently widowed Juliana Harrington might finally be reciprocated. ... Soon, however, a new suitor arrives in London, challenging the doctor's claims on Juliana's happiness. Worse, it seems the evil creature that Dr. Bond had wrestled with during the Ripper and Torso Killer investigations is back and stronger than ever"--Amazon.com.

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Janette Jenkins

"It's London, 1899. A young girl is abandoned by her feckless family and finds lodging and work assisting a doctor. Jane and the doctor hurry to appointments in boarding houses across town. The young actresses who live there have problems, and Mr. Swift does what is required, calmly and discreetly. When the pair become involved with a rakish music hall star, Johnny Treble, it seems that Jane's spell of good fortune is not going to last. The police come knocking - how will the doctor explain their connection to Johnny's sudden death? And how will Jane argue her innocence?"--Back cover.

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Christopher Priest

Two 19th century stage illusionists, the aristocratic Rupert Angier and the working-class Alfred Borden, engage in a bitter and deadly feud; the effects are still being felt by their respective families a hundred years later. Working in the gaslight-and-velvet world of Victorian music halls, they prowl edgily in the background of each other's shadowy life, driven to the extremes by a deadly combination of obsessive secrecy and insatiable curiosity. At the heart of the row is an amazing illusion they both perform during their stage acts. The secret of the magic is simple, and the reader is in on it almost from the start, but to the antagonists the real mystery lies deeper. Both have something more to hide than the mere workings of a trick.

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Anne Perry

Set in Victorian England, private investigative agent William Monk is once again searching for the invisible. He is begged by young Lucius Stourbridge to find his missing fiancee, Mariam Gardiner, who suddenly and in inexplicably ran from an afternoon croquette party at the Bayswater mansion of her in-laws-to-be. The coachman who drove her that day is found the following day near the path to the cottage of Cleo Anderson. Miriam is arrested for Treadwell's murder. Further investigation reveals that Cleo raised Miriam since the age of twelve. Further, Treadwell has been blackmailing Cleo for several years for taking medicines from the hospital apothecary for her aging homebound patients. Now Cleo is arrested and Miriam is released. Neither Miriam nor Cleo will tell anything, only denying the murdered anyone. Then a third murder occurs, at Bayswater, where Miriam had been released to Stourbridges' care. It is an entwining story and very enlightening of social attitudes and practices of the time. Sir Oliver Rathbone pursues the truth in court with Monk's wife, Hester, a driving force