by Roy Jenkins (2002)
"In this evocation of twelve world cities which have either been intertwined with his life, or have otherwise aroused his particular interest, Roy Jenkins follows up Churchill with a book of a very different shape; short and semi-autobiographical, but also full of the wit, erudition and carefully chosen illustrations which made Churchill such a success. The cities are each described with a mixture of architectural interest, topographical insight and personal anecdote." "Jenkins has three British cities: Cardiff, which was the metropolis of his Monmouthshire childhood; Birmingham, which he represented in Parliament for twenty-seven years; and Glasgow, which he did not know well until he won a famous bye-election there in 1982, but which then aroused in him an enthusiasm far transcending politics." "There are four North European cities: Paris, of which his memories go back to 1931; Brussels, where he lived for four years as President of the European Commission; Bonn, not exactly a metropolis but the modest capital of the very successful West German polity for forty years; and Berlin, surveyed from its Wilhelmine splendour, through its 1945 degradation to its reunification and architectural resurgence in the 1990s. Then there are two essays on South European cities which both have a special and strong flavour - Naples and Barcelona." "From over a hundred visits to North America there emerge highly personal recollections of New York and a more objective view of the architectural sparkle of Chicago. Dublin, so near to home and yet so distant, concludes this delightful collection."--BOOK JACKET.
Denise Gigante
John and George Keats--man of genius and man of power--embodied sibling forms of Romanticism. George's emigration to the U.S. frontier created an abysm of loneliness and alienation in John that would inspire his most plangent and sublime poetry. Gigante's account places John's life in a transatlantic context that has eluded his previous biographers.
Erskine Caldwell
In 1965, more than five decades after a forced estrangement from his black boyhood friend Bisco, Erskine Caldwell set out across the South find him. On the journey, which took him from South Carolina to Arkansas, Caldwell spoke to many people on the pretense of asking Bisco's whereabouts: a black college professor in Atlanta, Georgia; a white real estate salesman in Demopolis, Alabama; a black sharecropper in the Yazoo Basin of the Mississippi Delta; a transplanted white New England housewife in Bastrop, Louisiana, and others. Eighteen of those conversations, with Caldwell's commentary make up this book.
[by] C. V. Wedgwood
The life of the well-known English poet and educator set against the social life and historic events of the seventeenth century.
Anatole Broyard
"Nineteen forty-six was a good time - perhaps the best time - in the twentieth century. The war was over and there was a terrific sense of coming back, of repossessing life. Rents were cheap, restaurants were cheap, and it seemed to me that happiness itself might be cheaply had." Broyard made his first bid for happiness by moving in with a young painter, the difficult and challenging Sheri Donatti - a protegee of Anais Nin - who never wore underpants and who "embodied the new trends in art, sex, and psychosis." Broyard tells their story; by turns comic and poignant, while describing along the way his meetings with Caitlan and Dylan Thomas, Delmore Schwartz, Dwight MacDonald, Maya Deren, William Gaddis, and other writers and artists just beginning their careers. He opens a bookstore on Cornelia Street ("If it hadn't been for books we would have been entirely at the mercy of sex. Books steadied us, they gave us gravity."). He goes to the New School and listens to Eric Fromm, Karen Horney and Meyer Shapiro ("I went to him as students, twenty years later, would go to India."). He tries going to a psychoanalysist ("I never gave him a chance. l had a literature rather than a personality."). In dazzling prose, Broyard captures with crystalline clarity the feeling of a particular time and place "when everything mattered, everything was serious." With economy, style, wit, flair, and astounding powers of observation, Broyard has left us a most remarkable memoir.