Uchenik

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Nick Stone

Miami, 1981. Cocaine Central.Murder Capital, USA.A man about to face evil.A city about to catch fire.When Detective Max Mingus and his partner, Joe Liston, are called to the scene of a death at Miami's Primate Park, it looks like another routine — if slightly bizarre — investigation. That is, until two things turn up: the victim's family, slaughtered, and a partly digested tarot card in the dead man's stomach — the King of Swords.An increasingly bloody trail leads Max and Joe first to a sinister fortune-teller and her scheming pimp son, then to the infamous Solomon Boukman. Few have ever met the most feared criminal in Miami, but rumors abound of a forked tongue, voodooesque ceremonies, and friends in very high places.Against a backdrop of black magic and police corruption, Max and Joe must distinguish the good guys from the bad — and track down some answers.What is the significance of the King of Swords? What makes those who have swallowed the card go on a killing spree just before they die? And can Max find out the truth about Solomon Boukman before death's shadow reaches his own front door?The King of Swords is a feat of black magic, combining a thrilling plot, unforgettable characters, and the uniquely menacing atmosphere that made Nick Stone's Mr. Clarinet the most celebrated crime debut of 2006.

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David Ferry

A new verse rendering of the great epic of ancient Mesopotamia, one of the oldest works in Western Literature. Ferry makes Gilgamesh available in the kind of energetic and readable translation that Robert Fitzgerald and Richard Lattimore have provided for readers in their translations of Homer and Virgil.

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Wang Wen-hsing

Set in post-1949 Taiwan, this novel is an intimate revelation of a family's journey to catastrophe. The father of the all-too-ordinary Fan family suddenly flees from home; his son, Fan Yeh, sets off to search for him but is repeatedly unsuccessful, returning alone to the anxiously waiting mother. As it tracks Fan Yeh's fruitless search, Wang Wen-hsing's innovative narrative unfolds the history of this family, depicting relationships both tender and brutal and divulging secrets of poverty and abuse, love and hate. Working through the complex metaphor of the family, Wang Wen-hsing examines that dissolution of a traditional ethical system and cultural identity which is the harrowing and inevitable path to modernism.

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Paul Stickland

Pop-up pictures depict several trucks engaged in various activities such as pouring sand, getting stuck in traffic, and being towed.