by Natalia Aggiano with Vanessa Howard (2013)
Elva Aggiano was murdered 14 years ago by her husband Bruno. Of the four Aggiano children, three vowed never to speak to their father again. But their daughter Natalia renewed her relationship with Bruno and became his friend and companion until his death in 2006. Bruno's brooding and possessive nature behind closed doors lead to the break down of his marriage to Elva, involving mental and physical abuse. Escaping onto the streets at 17, Natalia speaks for the first time about her parent's relationship and her traumatic struggle to survive alone. Natalia eventually persuaded her mother and brother to leave the family home but it was not to last and they returned where Bruno was waiting to mercilessly stab Elva to death. This is Natalia's fascinating story that led to her finding a way to live with forgiveness and unconditional love while at the same time honoring her mother's memory.
David Garland
The United States and the United Kingdom have both become nations of stringent social control, from rapidly growing prison populations to ever increasing surveillance, curtailment of civil liberties, and restriction of the underclass. The Culture of control charts the evolution of this approach to law and order--politically, legally, and in terms of the average citizen's view of criminal "others" and their civil liberties.
Dėvid Grann
Acclaimed New Yorker writer and author of the breakout debut bestseller The Lost City of Z, David Grann offers a collection of spellbinding narrative journalism. Whether he's reporting on the infiltration of the murderous Aryan Brotherhood into the U.S. prison system, tracking down a chameleon con artist in Europe, or riding in a cyclone- tossed skiff with a scientist hunting the elusive giant squid, David Grann revels in telling stories that explore the nature of obsession and that piece together true and unforgettable mysteries. Each of the dozen stories in this collection reveals a hidden and often dangerous world and, like Into Thin Air and The Orchid Thief, pivots around the gravitational pull of obsession and the captivating personalities of those caught in its grip. There is the world's foremost expert on Sherlock Holmes who is found dead in mysterious circumstances; an arson sleuth trying to prove that a man about to be executed is innocent; and sandhogs racing to complete the brutally dangerous job of building New York City's water tunnels before the old system collapses. Throughout, Grann's hypnotic accounts display the power--and often the willful perversity--of the human spirit. Compulsively readable, The Devil and Sherlock Holmes is a brilliant mosaic of ambition, madness, passion, and folly.From the Hardcover edition.
Layla Skinns, Michael Scott, Tony Cox
"Recent events from the economic downturn to climate change mean that there has never been a better time to be thinking about and trying to better understand the concept of risk. In this book, prominent and eminent speakers from fields as diverse as statistics to classics, neuroscience to criminology, politics to astronomy, as well as speakers embedded in the media and in government have put their ideas down on paper in a series of essays that broaden our understanding of the meaning of risk. After twenty-five years, the prestigious Darwin College Lectures are one of the most popular public lecture series at the University of Cambridge. The risk lectures in 2010 were amongst the most popular yet and, in essay form, they make for a lively and engaging read for specialists and non-specialists alike"--
Charles Dickens
Upon its publication in 1857, Little Dorrit immediately outsold any of Dickens's previous books. The story of William Dorrit, imprisoned for debt in Marshalsea Prison, and his daughter and helpmate, Amy, or Little Dorrit, the novel charts the progress of the Dorrit family from poverty to riches. In his Introduction, David Gates argues that "intensity of imagination is the gift from which Dickens's other great attributes derive: his eye and ear, his near-universal empathy, his ability to entertain both a sense of the ridiculous and a sense of ultimate significance.