by Jung Young Moon (2016)
"A tragicomic odyssey told through free association from South Korea's most enigmatic contemporary authors scrubs the depths of the human psyche to achieve a higher level of consciousness equal to Zen meditation. The story opens when our sleepless narrator thwarts a would-be thief outside his moonlit window, then delves into his subconscious imagination to explore a variety of geographical and mental locations--real, unreal, surreal--to explore the very nature of reality...."--Cover, p.[4]
Cao Xuegin
Ben shu shi wo guo si da gu dian ming zhu zhi yi, yi jia bao yu, lin dai yu, xue bao chai de ai qing jiu ge wei xian suo, yi jia, shi, wang, xue si da jia zu wei zhong xin, yi qing chao feng jian she hui wei bei jing, xie chu le feng jian da jia zu de xing shuai, tong shi ye zhe she chu wo guo feng jian she hui xing shuai de li shi.
Eric Chevillard
"Eric Chevillard's visionary play of word and thought has been compared to the work of Beckett, Michaux, and Pinget, yet the universe he spins is utterly his own. Palafox (Editions de Minuit, 1990), Chevillard's third novel of eleven, explores the ecosystem of an unclassifiable yet enchanting protean creature, Palafox. A team of experts armed with degrees of higher learning is determined to label, train, baptize, and realize the elusive creature, while Palafox effortlessly and wordlessly defies them all."--Jacket.
John Fante
He came along, kicking the snow. Here was a disgusted man. His name was Svevo Bandini, and he lived three blocks down that street. He was cold and there were holes in his shoes. That morning he had patched the holes on the inside with pieces of cardboard from a macaroni box. The macaroni in that box was not paid for. He had thought of that as he placed the cardboard inside his shoes.
Ernesto Mallo
"Buenos Aires: city of contrasts, contradictions; always on the edge of chaos; in love with its own disorder despite the crude, transitory violence, the lack of law and order, the ubiquitously hurled insult, the thunderous boom of traffic, and honking, hurled curses. Its inhabitants love/hate the city. In the language of the port-dwellers, irony is currency. The multimillionaires of Puerto Madero deal in this irony with as fluently as the workers in the "misery cities," which is what we call the poorest neighborhoods of Buenos Aires. This shared language comes from the mansions and the shanties that are built side by side, separate by nothing but a single street or railroad track--contradiction within eyesight. In the stories that make up this volume we glimpse what Buenos Aires really is: distinctive points of view, as well as the narrative potential of a city that has reinvented itself many times over. This collection highlights the relations between the social and economic classes--from their tensions, from their cruelties, and also from their love. Deep inside, inhabitants of Buenos Aires live this contradiction."--page 13.