Vengeance Is Mine

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Kelley Armstrong

It was in Bitten, Kelley Armstrong’s debut novel, that thirty-year-old Elena Michaels came to terms with her feral appetites and claimed the proud identity of a beautiful, successful woman—and the only living female werewolf.In Stolen, on a mission for her own elite pack, she is lured into the net of ruthless Internet billionaire Tyrone Winsloe, who has funded a bogus scientific investigation of the “other races” and their supernatural powers. Kidnapped and studied in his underground lab deep in the Maine woods, these paranormals—witches, vampires, shamans, werewolves—are then released and hunted to the death in a real-world video game. But when Winsloe captures Elena, he finally meets his match.

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Robert Bloch and Andre Norton

ROBERT BLOCH-"Bloch's handling of tension and suspense is razor-sharp."--Mystery Scene on Lori; "Bloch is America's acknowledged King of Terro."-Harlan Ellison; "Fast, tense, ingenious, and great fun-a ripping good read."-The Washington Post Book World on The Night of the Ripper; "Bloch is the finest psychological horror writer working today."-Stephen King.

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Dean R. Koontz

Los protagonistas de esta estremecedora novela comparten inconscientemente un secreto cuya realidad resulta aterradora. Todo lo que saben es que un oscuro horror domina y destruye sus vidas. Estos extraños viven sumidos en el desconcierto hasta que aparecen una serie de pistas enigmáticas y establecen algunos contactos. ¿Qué pueden haber compartido estos desconocidos para que unos agentes poderosos y sin escrúpulos intenten acabar con ellos?

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(by) Kathleen Kinder

Synopsis - The house was built on Raven’s Moor. White stone in a sombre setting, colonnaded, tiered round with balconies, it had gleamed in the moorland half light like some huge sinister wedding cake. The long windows had shone with the glow of a hundred candles; there was dancing in the ballroom; music from the great gallery; and on the terrace the silken couples strolling, and the soft murmur of theri laughter. But all that was past. By the time Emily Dove came to Raven’s Moor in the autumn of 1876, to be servant to Albert and Sophie Stone, things had changed. Only the servants wing was in occupation now a chilly, comfortless apartment for Emily and her employers. Outside, nettles grew hight in the formal gardens, and the paths were moss grown and cracked. Ivy cloaked the house, shrouded its balconies, blinded is very windows. And somewhere under its crumbling icing, the great cake of Raven’s Moor was rotten. If she had not fallen in love with Albert, Emily’s youth and innocence might have protected her and kept her ignorant. But, loving Albert himself an innocent, and destined victim of the evil that inhabited the house her eyes were opened. She saw that death stalked Raven’s Moor. And worse than death: Sophia, last daughter of the bad blood of the Tremaines, patrolled the empty corridors and prowled by night the locked and shuttered rooms. On what old, unspeakable secret did she brood? And when that secret was revealed, what catastrophe would come to Raven’s Moor and those who lived there? The Raven and the Dove is gothic horror at its most sensitive and most powerful. Here is a novel for readers who like to feel that special chill at the base of the spine; who like to pick up a book and then find they simply can’t put it down.