Verner Panton

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[coordinamento redazionale, Emanuela Belloni

The catalogue raisonné on Marcello Morandini (Mantova, 1940) represents the most comprehensive and up-to-date publication ever to be produced on his works of art. Edited by Marco Meneguzzo and subdivided into separate yet complementary sections, the catalogue gives a clear and in-depth description of Morandini's art from 1964 to the present day and is the result of the meticulous job carried out by the Marcello Morandini Foundation to catalogue, archive and authenticate his works. Comprising over 500 pages, the volume begins with a review by the editor and an essay by Serge Lemoine, a French historian who has followed Morandini's artistic career from the start. The second section contains a critical anthology of texts written for the artist's numerous exhibitions and which document his artistic research. Over the years, Morandini has explored different kinds of themes and studies on the movement of space (torsion, tension, expansion, superimposition), translating them into the world of geometry by using a bi-dimensional and tri-dimensional language and applying mathematical certainty to developing the work, in accordance with the inescapable conceptual premise whereby everything that surrounds us can be considered 'liveable'.

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con textos de Olivier Debroise ... [et al

"The first exhibition to offer a critical assessment of the artistic experimentation that took place in Mexico during the last three decades of the twentieth century. The exhibition carefully analyzes the origins and emergence of techniques, strategies, andmodes of operation at a particularly significant moment of Mexican history, beginning with the 1968 Student Movement, until the Zapatista upraising in the State of Chiapas. Theshow includes work by a wide range of artists, including Francis Alys, Vicente Rojo, Jimmie Durham, Helen Escobedo, Julio Galán, Felipe Ehrenberg, José Bedia,Guillermo Gómez-Peña, Francisco Toledo, Carlos Amorales, Melanie Smith, and Alejandro Jodorowsky, among many others. The edition is illustrated with 612 full-colorplates of the art produced during these last three decades of the twentieth century reflect the social, political and technical developments in Mexico and ranged from painting andphotography to poster design, installation, performance, experimental theatre, super-8 cinema, video, music, poetry and popular culture like the films and ephemeral actionsof 'Panic' by Alejandro Jodorowsky, Pedro Friedeberg's pop art, the conceptual art, infrarrealists and urban independent photography, artists books, the development ofcontemporary political photography, the participation of Mexican artists in Fluxus in the seventies and the contribution of Ulises Carrión to the international artist book movement and popular rock music, the pictorial battles of the eighties and the emergence of a variant of neo-conceptual art in 1990. The exhibition is curated by Olivier Debroise, Pilar García de Germenos, Cuauhtémoc Medina, Álvaro Vázquez Mantecón"--Provided by vendor.

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[translation, James Gussen, Ian Pepper

Katharina Sieverding entwickelte für das Museum Schloss Moyland eine Ausstellung, die sich aus verschiedenen multimedialen Projektionen und fotografischen Arbeiten von 1968 bis 2013 zu einer umfassenden Installation zusammensetzt. Die Krönung der Ausstellung bildet die Arbeit 'DIE SONNE UM MITTERNACHT SCHAUEN', für die Katharina Sieverding von Mai 2010 bis Juni 2013 kontinuierlich etwa 100.000 visuelle Informationsdaten der NASA herunterlud und zu einem dynamischen Bild der Sonnenoberfläche künstlerisch verdichtete. Eine leuchtend blaue Kugel – mit unaufhörlichen Lichtwechseln in Kratern und über Gebirgen auf der Oberfläche und umgeben von einer hell flammenden Aura – durchschwebt körperhaft den Raum.0Exhibition: Museum Schloss Moyland, Bedburg-Hau, Germany (28.7.-24.11.2013).

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text by William Innes Homer

"Illustrated with artifacts, catalogues, and, of course, a definitive array of photographs - many rarely seen - Stieglitz and the Photo-Secession, 1902 reconstructs the original Photo-Secession exhibition as it celebrates the centennial of the event. From the painterly images of Edward Steichen to the "straight' photography of Alfred Stieglitz, this book of America's foremost pictorial photographers is a must for all those with a serious interest in photography."--BOOK JACKET.