by Leslie Sills (1993)
Presents the lives and works of four pioneering women artists: Mary Cassatt, Leonora Carrington, Betye Saar, and Mary Frank.
[text, Mikhaïl Guerman
Upon his return to Germany in 1921, Kandinsky developed his theory of the Science of Art in his book Concerning the Spiritual in Art in Weimar. The Bauhaus Period is the time of Kandinsky's most intense production when his genius would become better known to the world. This book allows us to discern the richness of Kandinsky's work through numerous canvases that have contributed to his international prestige as a painter.
Jennifer Armstrong
Briefly tells the story of this nineteenth-century painter and naturalist who is most famous for his detailed paintings of birds.
Anne Newlands
Canada's most renowned artists, the Group of Seven and Tom Thomson, celebrated the country's wild beauty. They saw in the untamed land a reflection of the national spirit, and called themselves "adventurers in paint." For decades, their work has been instantly familiar to Canadians. But in the early part of the 20th century, these artists were engaged in a struggle for acceptance, mocked by critics and the public alike. In The Group of Seven and Tom Thomson, author Anne Newlands explores the ambitions and visions of the artists, capturing the cultural and historical realities of their time and bringing to life their artistic response to the Canadian wilderness. The book is illustrated with 40 color works of landscapes, portraits and urban scenes, as well as black and white archival photographs. Readers are introduced to the artists as well as their locations -- turn-of-the-century Toronto, Ontario's wilderness, the Rocky Mountains and the Arctic. Writing with insight and enthusiasm, Anne Newlands offers an informative introduction to the lives, the work and the times of these important artists.
Gerhard Richter
Gerhard Richter, born in Dresden in 1932, is one of the foremost painters of his generation. A great deal has been written about the bewildering heterogeneity of his work over the past 30 years, his seemingly willful and defiant movement between abstract and figurative modes of representation and his use of a variety of methods of applying paint to canvas. And Richter himself is the master of the paradoxical statement. Although he has emphasized that he is foremost a painter and has never been a theorist, throughout his career he has issued provocative and memorable statements. Over seven years in preparation, this book makes available a selection of Richter's texts, many translated for the first time. These texts come from all periods of his career, beginning with a letter he wrote to a film company promoting the first group show of German Pop Art in 1963, in which he was a participant. There are public statements about specific exhibitions, private reflections drawn from personal correspondence, answers to questions posed by critics, and excerpts from journals discussing the intentions, subjects, methods, and sources of his works from various periods. The writings are accompanied by 87 biographical illustrations from the artist's personal collection.