Visions of jazz

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Gena Dagel Caponi

Paul Bowles serves as an introduction to this enigmatic figure. Caponi discusses all of Bowles's novels: The Sheltering Sky, the first American novel to articulate an existential philosophy; Let It Come Down, a further exploration of existentialism; The Spider's House, which explores the fall of the French colonial regime and the aftermath from the point of view of a Moroccan; and the thriller Up Above the World. In addition to the novels, Caponi examines Bowles's other writings - the poetry, travel essays, and stories - and also touches on his musical compositions. Accompanying her critical examination is extensive material from Caponi's illuminating interviews with Bowles. The quintessential introduction to an unusual figure in American literature, Paul Bowles will be welcomed by scholars and students of literature, and music.

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Hannah Rothschild

A biography of the author's great-aunt, jazz patroness Nica de Koenigswarter, drawing on family records to examine the traditions that shaped her youth, her marriage to Baron Jules de Koenigswarter, and her role in supporting the New York jazz world.

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John F. Szwed

Sun Ra - a/k/a Herman Poole "Sonny" Blount - was born in Alabama on May 22, 1914. But like Father Divine and Elijah Muhammad, he made a lifelong effort to obscure many of the facts of his early life. After years as a rehearsal pianist for nightclub revues and in blues and swing bands, including Wynonie Harris's and Fletcher Henderson's, Sun Ra set out in the 1950s to find a way to impart his views about the galaxy, black people, and spiritual matters through the various incarnations of the Intergalactic Arkestra. His repertoire ranging from boogie-woogie, swing, and bebop to free form, fusion, and whatever, Sun Ra was above all a paragon of contradictions: profundity and vaudeville; technical pianistic virtuosity and irony; assiduous attention to arrangements and encouragement of collective improvisation; respect for tradition and celebration of the fresh. Some might have been bemused by his Afro-Platonic neo-hermeticism; others might have laughed at his egregious excesses. But Sun Ra was at once the last of the great romantic composers, one of the premier avant-gardists of the latter half of the twentieth century, and a black cultural nationalist who extended Afrocentrism from ancient Egypt to the heavens.

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Michael Hicks and Christian Asplund

In this first interpretive narrative of the life and work of Christian Wolff, Michael Hicks and Christian Asplund trace the influences and sensibilities of a contemporary composer's atypical career path and restless imagination. Written in full cooperation with Wolff, including access to his papers, this volume is a much-needed introduction to a leading avant-garde composer still living, writing music, and speaking about his own work. Wolff has pioneered various compositional and notational idioms, including overtly political music, indeterminacy, graphic scores, and extreme virtuosity. Trained as a classicist rather than a musician, Wolff has never quite had both feet in the rarefied world of contemporary composition. Yet he's considered a "composer's composer," with a mind ensconced equally in ancient Greek tragedy and experimental music and an eccentric and impulsive compositional approach that eludes a fixed stylistic fingerprint. Hicks and Asplund cover Wolff's family life and formative years, his role as a founder of the New York School of composers, and the context of his life and work as part of the John Cage circle, as well as his departures from it. Critically assessing Wolff's place within the experimental musical field, this volume captures both his eloquence and reticence and provides insights into his broad interests and activities within music and beyond [Publisher description].