White Apples and the Taste of Stone

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E.E. Cummings

At the time of his death in 1962 E.E. Cummings was, next to Robert Frost, the most widely read poet in America. Combining Thoreau's controlled belligerence with the brash abandon of an uninhibited Bohemian, Cummings, together with Pound, Eliot, and William Carlos Williams, helped bring about the twentieth-century revolution in literary expression. He is recognized on the one hand as the author of some of the most beautiful lyric poems written in the English language, and on the other as one of the most inventive American poets of his time. This is the first selection from the poems of E.E. Cummings to be published since 1959, three years before his death. The one hundred and fifty-six poems selected by Richard S. Kennedy, Cummings's biographer (Dreams in the Mirror), are arranged in twelve sections, with introductions by Kennedy for each section. Also included are thirteen drawings, oils, and watercolors by Cummings, most of them never before published. The selection includes most of the favorites plus many fresh and surprising examples of Cummings's several poetic styles. The corrected texts established by George J. Firmage have been used throughout.

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Herbert Morris

"Herbert Morris gathers fifteen poems in both of his signature modes, the dramatic monologue and the meditative reverie. The poet's tone is elegiac, his subjects drawn from history and his own early life."--BOOK JACKET.

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Carol Muske

An Octave Above Thunder presents a collection of poems spanning more than twenty years in the career of Carol Muske, who has won acclaim for work that marries sophisticated intelligence, emotional resonance, and technical craft. This volume brings together new poems and a generous selection of work from Muske's five previously published collections.

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Elise Paschen

"In her third poetry book, The Nightlife, Paschen once again taps into dream states, creating a narrative which balances between the lived and the imagined life. Probing the tension between 'The Elevated' and the 'Falls,' she explores troubled love and relationships, the danger of accident and emotional volatility. At the heart of the book is a dream triptych which retells the same encounter from different perspectives, the drama between the narrative described and the sexual tension created there. The Nightlife demonstrates Paschen's versatility and formal mastery as she experiments with forms such as the pantoum, the villanelle and the tritina, as well as concrete poems and poems in free verse. Throughout this poetry collection, she interweaves lyric and narrative threads, creating a contrapuntal story-line. The book begins with a dive into deep water and ends with an opening into sky"