Wordsworth's poems of travel, 1819-42

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Graham Hancock

This book is about the beginning of the human race. How perhaps normal history has left things out, or maybe just left things unexplained. **Graham Hancock** explains how certain ancient structures all over the world are much older than originally thought, how civilizations who had no means of travel seemed to have communicated in some way. Hancock tries to answer questions we may have never even thought to ask. Were ancient civilizations visited by a superior race? Were these civilizations taught about technology they wouldn't have had? Could the story of mankind be far older than we have previously believed? Using tools as varied as archaeo-astronomy, geology, and computer analysis of ancient myths, Graham Hancock presents a compelling case to suggest that it is. “A fancy piece of historical sleuthing . . . intriguing and entertaining and sturdy enough to give a long pause for thought.”—*Kirkus Reviews* In ***Fingerprints of the Gods***, Hancock embarks on a worldwide quest to put together all the pieces of the vast and fascinating jigsaw of mankind’s hidden past. In ancient monuments as far apart as Egypt’s Great Sphinx, the strange Andean ruins of Tihuanaco, and Mexico’s awe-inspiring Temples of the Sun and Moon, he reveals not only the clear fingerprints of an as-yet-unidentified civilization of remote antiquity, but also startling evidence of its vast sophistication, technological advancement, and evolved scientific knowledge. A record-breaking number one bestseller in Britain, Fingerprints of the Gods contains the makings of an intellectual revolution, a dramatic and irreversible change in the way that we understand our past—and so our future. And Fingerprints of God tells us something more. As we recover the truth about prehistory, and discover the real meaning of ancient myths and monuments, it becomes apparent that a warning has been handed down to us, a warning of terrible cataclysm that afflicts the Earth in great cycles at irregular intervals of time—a cataclysm that may be about to recur. “Readers will hugely enjoy their quest in these pages of inspired storytelling.”—*The Times (UK)*

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Richard Cándida Smith

"In a narrative combining intellectual and cultural history, Richard Candida Smith unfolds the legacy of Stephane Mallarme, the poet who fathered the symbolist movement in poetry and art. Through the lens of symbolism, Candida Smith focuses on a variety of subjects: sexual liberation and the erotic, anarchism, utopianism, labor, and women's creative role. Paradoxically, the symbolists' reconfiguration of elite culture fit effectively into the modern commercial media. After Mallarme was rescued from obscurity, symbolism became a valuable commodity, exported by France to America and elsewhere in the market-driven turn-of-the-century world. Mallarme's Children traces not only how poets regarded their poetry and artists their art but also how the public learned to think in new ways about cultural work and to behave differently as a result."--BOOK JACKET.

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edited and with an introduction by Kari J. Winter

"Born in West Africa around 1742, Jeffrey Brace was captured by slave traders at sixteen and shipped to Barbados, where he was sold. After fighting as an enslaved sailor in the Seven Years War, Brace was taken to Connecticut and sold again. Brace later enlisted in the Continental Army in hopes of winning his manumission. After military service, he was honorably discharged and was freed from slavery. In 1784, he moved to Vermont, the first state to make slavery illegal. There he married, bought a farm, and raised a family. Although literate, he was blind when he narrated his life story to an antislavery lawyer, Benjamin Prentiss. Brace died in 1827, a well-respected abolitionist. In this first new edition since 1810, Kari J. Winter supplements our knowledge of Brace's life and times with original documents and new material"--Publisher.

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Virginia Baker

For Inspector Jonas Robb, each night brings new terror. But this night is different. It's brought two strangers-David and Sara-who have arrived in London seemingly with no past. What they do have is incredible knowledge about the Whitechapel fiend known as Jack the Ripper. Because David and Sara do have a past. It just happens to be in the future.Sent back in time, they're in pursuit of a 21st-century madman whose purpose is to change history. As the body count rises, Sara and David realize that their quarry and Robb's have become linked in a way that threatens not only Victorian London, but the very fabric of time.