Writers talk

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Joseph Conrad

A Personal Record is writer Joseph Conrad's autobiography. The writing is lyrical and atmospheric and commonly believed to be somewhat embellished. It does, however, give great insight into his Polish childhood, his sailing adventures and his aspirations in the eyes of the British public. It also documents the process of writing Almayer's Folly. The preface to the work contains the much-quoted lines:"Those who read me know my conviction that the world, the temporal world, rests on a few very simple ideas; so simple that they must be as old as the hills. It rests notably, among others, on the idea of Fidelity."

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Michael De-la-Noy

**From Amazon.com:** In the last eight years of his life - and he died when he was only thirty-three - Denton Welch wrote three novels, umpteen short stories, hundreds of poems, and - between 1942 and 1948, a profoundly personal and moving journal that recorded his swift maturity into a writer of genius. Therein he wrote of his battle with ill-health, his life lived in claustrophobic rooms, and (in frank, erotic terms) his frustrated pursuit of the 'ideal friend.' And yet he encountered some of the foremost writers of his time - Edith Sitwell, Herbert Read, Harold Nicolson, Vita Sackville West - and recorded every aspect of life with a fresh and arresting sensitivity.

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Barron H. Lerner

Steve McQueen had cancer and was keeping it secret. Then the media found out, and soon all of America knew. McQueen's high profile changed forever the way the public perceived a dreaded disease. Public health physician Barron H. Lerner describes the evolution of celebrities' illnesses from private matters to stories of great public interest. Famous people who have become symbols of illness include Lou Gehrig, the first "celebrity patient," and Arthur Ashe, who courageously went public with his AIDS diagnosis before the media could reveal his secret. And then there are private citizens like Barney Clark, the first recipient of a permanent artificial heart. While celebrity illnesses have helped to inform patients about treatment options, ethical controversies, and scientific proof, the stories surrounding these illnesses have also assumed mythical characteristics. This exploration of the intersection of science, journalism, fame, and legend is a groundbreaking contribution to our understanding of health and illness.--From publisher description.

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Anatol Goldberg

Pp. 120-123 deal with Ehrenburg's attitudes to Judaism and antisemitism as reflected in the discourse on the Jewish question in his first novel "Julio Jurenito" (1922). States that in general he tried to view the world from a genuinely cosmopolitan standpoint. The Jews are described by Jurenito as a people who constantly question the established order and try to undermine it by inventing subversive religions (e.g., Christianity, communism) which eventually become the established order and must then be repudiated. Ehrenburg was proud of this tragic and unique destiny of the Jews, who were persecuted because of it, and he was opposed to a nationalist solution (Zionism). Pp. 226-240 deal with Stalin's postwar anti-Jewish campaign, and Ehrenburg's role as the regime's "token Jew, " a cover for its antisemitic policies. States that there is no evidence that Ehrenburg betrayed his Jewish friends who were murdered by Stalin, but faults him for lying about what was happening to them at the time.