Writing through music

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James Boyd White

"How do you imagine the world, and yourself and others within it? How do you confront the constraints of language, the evils of your particular culture, the limits of your own mind? How do you use what you imagine to give meaning to your past experience and shape your expectations for the future? Such are the questions that drive The Edge of Meaning by the distinguished humanist and lawyer James Boyd White.". "Addressing the most fundamental imaginative and intellectual activity of human life, this book presents an inspiring conception of an art of mind and language that enables us to confront the uncertainty and fluidity that are themselves the essence of human experience."--BOOK JACKET.

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Theodor W. Adorno

"Quasi una Fantasia contains Adorno's own selection from his essays and journalism over more than three decades. In its analytical profundity it can be compared to his Philosophy of Modern Music and to the monographs on Berg, Mahler and Wagner. But in the range of its themes and references (from Mozart to Boulez, the minuet to the jitterbug) and in the clarity of its arguments, Quasi una Fantasia stands alone among Adorno's writings on music."--BOOK JACKET. "At the book's core are illuminating studies of the founders of modern music: Mahler, Schoenberg and Berg, as well as sympathetic rediscoveries of Alexander Zemlinsky and Franz Schreker. Especially significant is Adorno's 'dialectical portrait' of Stravinsky, in which he both reconsiders and refines the damning indictment he gave in Philosophy of Modern Music.^ In 'Vers une musique informelle', an enormously influential essay, he plots a course for a music of the future 'which could take up the challenge of an unrevised, unrestricted freedom'. More unexpectedly, there are moving accounts of earlier works, such as Bizet's Carmen and Weber's Der Freischutz, along with an entertainingly caustic 'Natural History of the Theatre' which explores the rituals and hierarchies of the auditorium, from upper circle to foyer."--BOOK JACKET. "'The positive element of kitsch', Adorno remarks, 'lies in the fact that it sets free for a moment the glimmering realization that you have wasted your life.' Musical kitsch is the target of several of the shorter pieces: on Gounod's Ave Maria or Tchaikovsky's 'clumsy naivety'; on the 'Penny Serenade' or the transformation of Mozart into chocolate-box rococo.^ Yet even while Adorno demolishes 'commodity music' he is sustained by the conviction that music is supremely human because it retains the capacity to speak of inhumanity and to resist it. It is a conviction which reverberates throughout these writings. For Adorno, music and philosophy were inextricably linked: Quasi una Fantasia will enlarge our understanding of both."--BOOK JACKET.

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Paul R. Gross, Norman Levitt

With the emergence of "cultural studies" and the blurring of once clear academic boundaries, scholars are turning to subjects far outside their traditional disciplines and areas of expertise. In Higher Superstition scientists Paul Gross and Norman Levitt raise serious questions about the growing criticism of science by humanists and social scientists on the "academic left." As literary theorists deconstruct scientific "texts" and feminists condemn scientific "patriarchy," they argue, principles and practices that underlie 300 years of scientific achievement come under attack from scholars with little actual knowledge of science. Gross and Levitt explore the origins and history of the trend and examine examples of "science bashing" from an array of currently fashionable viewpoints - postmodernism, feminism, radical environmentalism, multiculturalism, and AIDS activism. They find the origins of antiscience attitudes not only in modern discontents but also in a long tradition of Romantic unhappiness with Rationalism. Their concerns, however, are clearly for the present and the future. They question how far the university community should go in validating nonscientific judgments of science. And they warn that the long-term consequences of these trends - for science education and for public judgment of scientific issues - may be infinitely more serious than the "political correctness" wars currently being waged on university campuses

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Stjepan G. Meštrović

"As the present century and millennium approach their close, many dramatic endgames have been conceptualized by celebrated intellectuals; for example: the "end of history" (Fukuyama); the "end of culture" (Baudrillard); the "end of communism" (Brzezinski) - the last just in time for the events of 1989. The "end of sociology" might even be proposed by those who deem the field of no practical relevance to contemporary social problems. Mestrovic here cuts against the grain of this nihilistic discourse, by arguing that postmodernism itself is an aspect of culture."--BOOK JACKET. "In setting out to find cultural roots for the many phenomena taken up by postmodernists, he connects the present turmoil with strikingly similar debates at the end of the last century, debates concerning the future of capitalism, communism, feminism, and sociology, among other matters. With ambitious sweep, he relates the work of Emile Durkheim and other earlier figures (such as Henry Adams, Veblen, Jung, Adorno) to contemporary postmodernist discourse. His new book points to an opportunity for sociology to revivify itself by taking the cultural approach of its founders seriously."--BOOK JACKET.