Zamalek

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Paul Buhle

A crown jewel of New Left historiography, this overview of U.S. Marxism was hailed on its first publication for its nuanced storytelling, balance and incredible sweep. Brimming over with archival finds and buoyed by the recollections of witnesses and participants in the radical movements of decades past, Marxism in the United States includes fascinating accounts of the immigrant socialism of the nineteenth century, the formation of the CPUSA in the wake of the Bolshevik Revolution, the rise of American communism and of the hugely influential Popular Front in the 1920s and ʹ30s, the crisis and split of the ʹ50s, and the revival of Marxism in the ʹ60s and ʹ70s. -- Publisher description.

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Donald L. Patterson and Janet L. Patterson

Gives a brief biography of twelve First Ladies from 1920 to 1989 and describes the major communication activities of the First Lady and the factors that influenced the First Lady's performance as a public communicator.

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Marcia Rose

Four generations of successful women and the price they pay for their success. They are Leah, a 1920s radical writer; Jo, a World War II photographer; Sarah, a singer and songwriter; and Annie, a comedian. By the author of The Hospital.

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Paul Davies

The conclusions reached in The Ideal Real are not the same as those reached by most commentary on Beckett's works. Most Beckett criticism seeks falsely to over-simplify or align Beckett's point of view with existentialism, the absurd, or the pessimistic nihilism underlying much postmodern thought. Beckett, though one of the century's leading intellects, was also an intuitive who realized the Western empirical mind was an out-dated program that had long ceased to be of any help in understanding the human situation. The "disintegration" of mind and body felt by his characters reflects the disastrous effect of the continued imposition of that "reason-ridden" consciousness. At the same time it opens the door to a new possibility. . The Beckett heroes, whose experiences are discussed in this book, were conditioned by a "humanistic" education much like Beckett's; but they come to find that the self they were taught to see as their own is nonexistent. Having nothing in their acquired personality to cope with this crisis, Murphy, Molloy, Moran, Malone, and all that follow find themselves dying to their old self, to everything a Western liberal education could think of as self. Early on, Beckett saw clues to the situation in the work of Jung, the "mind doctor" who represented the opposite of the empirical tradition. Jung, like the esoteric schools, saw a potential human whose development was sometimes delayed or prevented by the very system the claimed to "educate" and "civilize" the personality. The existence of this potential self has been doubted by many modern thinkers, but Beckett's stories show "a soul denied in vain" since it is the enabler of all speech, whether apparently denying or affirming. No knowledge can be considered apart from the knower. In The Ideal Real, Paul Davies argues that Beckett saw this potential self emerging in the world of imagination and symbol, especially in this age where language alone has come to be seen as the vehicle of education and the determiner of identity. He renders in prose the collapse of the illusive world of self to which the European cult of personality devoted three centuries, and witnesses its annihilation in the death before death - the white light of contemporary physics, the "void" of Zen - from which all trace of personality has fallen. From the 1920s to Beckett's last year, this study follows all the stages his fiction writing went through in order to face this matter uncompromisingly. The perspective taken by Davies sees the postmodern critical climate as an inadequate and reductive context within which to contemplate and comment on works of art. It seeks to recognize that creative imagination is a vital aspect of all mental activity that is not doomed to the inferno of Beckett's lost world.