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Bradley L. Garrett

"What does it feel like to find the city's edges, to explore its hidden tunnels and scale its skyscrapers? In Explore Everything, Bradley L Garrett tells the story of his adventures with the London Consolidation Crew, an infamous urban exploration collective, as they cross boundaries, uncover ruins and experience the city in new ways that shatter conventions of everyday life. In a series of narratives, including stories of how the LCC found the lost underground stations of London, discovered abandoned bunkers and ruins in Eastern Europe and scaled the tallest buildings in London, Paris, Chicago, Minneapolis, Detroit and Las Vegas, Garrett explores the various motivations for illicit trespass and what it might mean. The book is a passionate manifesto for rights to the city as well as new ways of belonging in and understanding the metropolis"--

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Stella V. F. Butler

This book is a detailed review of the treatment of science and technology in museums. It discusses the nature of science and its cultural standing at the end of the twentieth century as well as the history of science museums in Europe and North America and the effects upon them of the heritage phenomenon. It also includes much of strictly practical interest: it reviews and compares the very best of modern practice in San Francisco and Toronto, in London, Paris and Berlin; it discusses the technical problems of displaying working machinery and of interpreting unfamiliar and difficult concepts for the public; it explains the principal approaches to collection management and draws lessons from all over the world to compile a thorough appraisal of the effects of the new market-orientated, consumer-led philosophy on the content and practices of science museums.

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Hein-Th. Schulze Altcappenberg

"Over 500 years after their creation, all the extant drawings will be shown together for the first time at the Kulturforum, Berlin, the Scuderie Papali at Quirinale, Rome, and the Royal Academy of Arts, London. Each is illustrated in full colour in the catalogue and accompanied by a commentary on Botticelli's response to Dante's poem. They are followed by seven authoritative essays on aspects of Botticelli's and Dante's work, on Divine Comedy illustration in general and on the technique of Botticelli's drawings, illustrated in full colour throughout."--Jacket.

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introduction by Antonio Paolucci

"This volume devoted to the Great Museums of Europe illustrates eight emblematic museums which, however specific and diverse their collections may be, all hark back to a shared root in the idea of representing in a microcosm the path of development of human culture. Beginning from the earliest example of encyclopaedic collections, specifically those of the Vatican Museums, which originated with the display of classical sculpture in the Belvedere Courtyard at the behest of Pope Julius II, and continuing on to the Russian Imperial Collections displayed in the citadel of the palace of the Hermitage in Saint Petersburg, as well as the Hapsburg Collections, later assembled in the Kunsthistorisches Museum of Vienna and the Bourbon Collections now housed in the Museo del Prado in Madrid; from the Napoleonic dream of the Universal Museum to the present-day structure of the Louvre in Paris, as well as its counterpart, the British Museum in London, founded to accommodate the marble sculptures from the Parthenon that Lord Elgin brought back from Athens. And finally, the ambition to create a citadel of culture, a new Acropolis of universal knowledge, was fully present in the Prussian museum system built on the Museumsinsel in Berlin and, on a smaller scale, in the Rijksmuseum of Amsterdam." "Each of the eight chapters recounts the history of the individual museum, the creation and transformation of the individual collections, illustrated with a spectacular array of photographs and specific, thorough captions, that provide, as it were, a second and easy-to-follow path through the rooms and the masterpieces that make up the history of human culture."--Jacket.