by William Mims (2011)
"Advanced Film and Video Production is a practical approach to the art of filmmaking from beginning to final release print or video master. The text begins with simple productions designed to teach you the basics while establishing professional production standards and moving on to more complicated projects. From writing your first script to final edited master, the topics include camera techniques, working with actors, professional lighting, recording and mixing sound, editing, professional directing, blocking a scene with actors and crew, conducting yourself in a professional film environment. Areas discussed include Producing commercials in a local market, making a music video, documentaries, professional script writing of dramatic stories, handling clients, promotional videos, advanced editing techniques including cutting on the beat and the rhythm of editing. The 330 page textbook of 30 chapters is suited for both senior high school and college level curriculum, with a teacher's or college instructor's study guide available upon request. Each chapter ends with class assignments designed to give each student a hands on experience. This textbook is now available for anyone to purchase so that if you do not have the benefit of attending a college or high school course, you now can follow this text to teach yourself the art of filmmaking. Because the author worked on countless 'Hollywood' productions with some of the biggest names in the business, it is stressed throughout the next the importance of conducing one's self as a professional so that when you work on a 'real' Hollywood movie you will be ready to do your job and be considered a peer"--Google Books website.
Philip R. Cable
"Designed for would-be filmmakers, this book explains how to make a good low-budget movie. Written in practical, understandable terms, the book covers everything from commercially viable genres to the most efficient film and video formats, along with tips on hiring stars, pursuing investors, distributing and marketing a film, and keeping track of expenses"--Provided by publisher.
David Mamet
In Bambi vs. Godzilla, David Mamet, the award-winning playwright and screenwriter, gives us an exhilaratingly subversive inside look at Hollywood from the perspective of a filmmaker who has always played the game his own way.Who really reads the scripts at the film studios? How is a screenplay like a personals ad? Whose opinion matters when revising a screenplay? Why are there so many producers listed in movie credits? And what the hell do those producers do, anyway? Refreshingly unafraid to offend, Mamet provides hilarious, surprising, and bracingly forthright answers to these and other questions about virtually every aspect of filmmaking, from concept to script to screen. He covers topics ranging from "How Scripts Got So Bad" to the oxymoron of "Manners in Hollywood." He takes us step-by-step through some of his favorite movie stunts and directorial tricks, and demonstrates that it is craft and crew, not stars and producers, that make great films. He tells us who his favorite actors and what his favorite movies are, who he thinks is the most perfect actor to grace the screen, and who he thinks should never have appeared there.Demigods and sacred cows of the movie business--beware! But for the rest of us, Mamet speaking truth to Hollywood makes for searingly enjoyable reading.From the Hardcover edition.
Ira Konigsberg
This new edition covers all the spectacular technical advances in filmmaking of the past ten years, particularly those involving special effects and the electronic revolution. Many of the new and revised entries on such topics as computer animation, virtual reality, Industrial Light and Magic, nonlinear editing, and HDTV are based on the author's on-site inspections of the latest technological tools of the trade and questioning of experts in the field. Another recent development in film is, as Konigsberg remarks, "how much the world of business and the marketplace influence virtually everything in the industry." With style, facts, and figures, he has added up-to-date information on all the corporate players of the movie world and produced small essays on such key concepts as distribution, exhibition, home video, cable television, test booking, and box office. Specific films are cited to illustrate points made throughout the text. This is a dictionary for film students, film buffs, and anyone in the industry, particularly those who actually make the movies. The entries on the practical aspects of filmmaking (camera angles, lighting, film stock, sound, etc.) are myriad - the most plentiful in the book - and presented in clear, highly readable prose. Entries on the art of film as well as the profiles of American and European studios are mini-essays on the history of moviemaking. No other dictionary of film is as inclusive and comprehensive as this. Its encyclopedic scope and down-to-earth accuracy mark it as a true classic.
Lane Shefter Bishop
Finally, a guide by a leading Hollywood insider who actually knows the answer-and now she shows you how to do it yourself! Lane Shefter Bishop, CEO of Vast Entertainment, explains the key to selling your screenplay, novel, or script. This comprehensive guide to opening career doors is the first of its kind, highlighting the tips and techniques for making your story stand out. From tips on character development to hints on points to avoid, Bishop covers all your bases when selling your story.