Becoming Jimi Hendrix

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Gladys Knight

For as far back as Gladys can remember, she has always been a performer. A true child prodigy, she was born in Atlanta in 1944 and has been earning her way as a singer since the tender age of four. By the time she was in high school, she was belting out doo-wop ditties and torch songs in juke joints and nightclubs on the "chit'lin' circuit" as the opening act (with The Pips) for the likes of Sam Cooke, Ike & Tina Turner, Wilson Pickett, Otis Redding, B.B. King, Jackie Wilson, and Little Richard, among others. And then there were the legendary Motown years - and the multi-Grammy-Award-winning ones that have followed. Along the way her life has been filled with enormous ups and downs, details of which Gladys shares for the first time in this book. Between the lines of her life story, you'll find her bravely facing many of life's most difficult challenges, including racism, sexual assault, addiction and recovery, and her struggle to break free from disappointing romantic relationships while maintaining a strong sense of personal pride and independence.

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Frank McLynn

Napoleon Bonaparte's character and achievements have always divided critics and historians. In this compelling biography, Frank McLynn draws on the most recent scholarship and throws a brilliant light on this most paradoxical of men -- as military leader, emperor, and lover. Tracing Napoleon's extraordinary career, the author examines the Promethean legend from his Corsican roots, through the years of the French Revolution and his military triumphs, to his coronation in 1804 and ultimate defeat and imprisonment. McLynn brilliantly reveals the extent to which Napoleon was both existential hero and plaything of Fate; mathematician and mystic; intellectual giant and moral pygmy; great man and deeply flawed human being. In this work McLynn offers a vivid and valuable canvas of, and new dimension to, eighteenth-century European history. He also brings the reader, as never before, closer to understanding the much mythologized Napoleon. - Back cover.

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Charlotte Chandler

"In Nobody's Perfect, Billy Wilder speaks for himself, in what is as close to an autobiography as there ever will be. Charlotte Chandler, author of earlier authorized biographies of Groucho Marx and Federico Fellini, met Wilder in the mid-1970s and began a friendship that continued until his death. Over the course of more than twenty years, she interviewed not only Wilder, but many of the actors and other creative people who worked with him. The result is this remarkable book, a very personal look at one of Hollywood's creative geniuses."--BOOK JACKET.

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Edward Jablonski

During his lifetime, Alan Jay Lerner received every imaginable award in American musical theater, and rightly so: As the lyricist of such astonishing Broadway successes as Brigadoon, My Fair Lady, Gigi, and Camelot, he was one of its architects. He was also one of its last greats, never quite able to regain his footing once the face of Broadway changed for good in the 1960s. Here, noted scholar of musical theater Edward Jablonski tells the story of Lerner's career and of his personal life, filling in the cracks purposely left open in Lerner's own autobiography. A well-off child of the Depression, Lerner was born in New York City, the son of the founder and president of Lerner Stores. Following an education in England and at Harvard, he ended up in New York, where he wrote advertising copy, radio scripts, and spring gambols for the Lambs Club. While lunching at the Lambs one day, he was approached by composer Frederick Loewe, who asked Lerner if he would like to work with him - and thus began a celebrated collaboration. Lerner also worked with a roll call of Broadway's and Hollywood's best, with varying degrees of success: Fred Astaire and Jane Powell (Royal Wedding), Kurt Weill (Love Life), Burton Lane (On a Clear Day You Can See Forever), Leonard Bernstein (1600 Pennsylvania Avenue), and, of course, Rex Harrison and Julie Andrews (My Fair Lady). He experienced the vertiginous highs of being at Broadway's pinnacle: My Fair Lady ran for 2,717 performances in New York, establishing Lerner's reputation as a master of urbane, highly literate songwriting. But when his money ran out - as did the Broadway for which he had been born - his life soured, and, by all accounts, it was something he himself failed to realize. Compelled to keep working by a nervous drive and a stubborn perfectionism, Lerner in later years wrote lyrics for some famously troubled productions. His personal life became just as tangled: All eight of his marriages ended in acrimonious and well-publicized dissolutions, and he was an anxiety-ridden spendthrift to the end.