Breaking enmities

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Diana B. Altegoer

"Using the tools of rhetorical and poetic analysis, this study of Baconian science reveals how the construction of scientific and philosophical discourse in early-modern England cannot be separated from literary-rhetorical production and political partisanship. By calling into question the usual way of dividing disciplines into logic, rhetoric, and poetics, Bacon suggested the constructed nature of these disciplines, and of traditional forms of knowledge. Bacon did not call into being a fissure of science and the arts; rather he conceptualized a unique relationship between the two by creating an experimental (and rhetoricized) "logic" that allowed nature to shape and fashion the perceiving mind of the witness in order to advance the political fortunes of Elizabethan and Stuart England."--BOOK JACKET.

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Jonathan Boulter

Written in a clear, accessible language, this guide challenges and encourages students to grapple with the difficult ideas and questions posed by Beckett's texts.

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Mark T. Hoyer

How did an Illinois Methodist homesteader in the West come to create one of the most significant cosmological syntheses in American literature? In this study, Hoyer draws on his own knowledge of biblical religion and Native American cultures to explore Austin's creation of the "mythology of the American continent" she so valued. Austin lived in and wrote about "the land of little rain," semiarid and arid parts of California and Nevada that were home to the Northern Paiute, Shoshone, Interior Chumash, and Yokut peoples. Hoyer makes new and provocative connections between Austin and spiritual figures like Wovoka, the prophet of the Ghost Dance religion, and writers like Zitkala-sa and Mourning Dove, and he provides a particularly fine reading of Cogowea.

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Sanjay K. Gautam

The 'Kamasutra' is best known in the West for its scandalous celebration of unbridled sensuality. Yet, there is much, much more to it; embedded in the text is a vision of the city founded on art and aesthetic pleasure. Sanjay K. Gautam lays out the nature and origin of this iconic Indian text and engages in a serious reading of its relationship with Foucault. Gautam shows how closely intertwined the history of erotics in Indian culture is with the history of theater-aesthetics grounded in the discourse of love, and Foucault provides the framework for opening up an intellectual horizon of Indian thought.