White Apples and the Taste of Stone
Donald Hall
Spanning the entire career of the celebrated American poet, a collection of 226 works represents sixty years of poetic endeavor, including recent poems and a CD containing readings by the author.

by Michael Macrone (1998)
The books in the Brush Up series clarify the thoughts, theories and declarations that have defined and developed the core of Western civilisation over the millennia, from the classics through the Renaissance to the information revolution.
Donald Hall
Spanning the entire career of the celebrated American poet, a collection of 226 works represents sixty years of poetic endeavor, including recent poems and a CD containing readings by the author.
Richard Siken
Richard Siken's *Crush*, selected as the 2004 winner of the Yale Younger Poets prize, is a powerful collection of poems driven by obsession and love. Siken writes with ferocity, and his reader hurtles unstoppably with him. His poetry is confessional, gay, savage, and charged with violent eroticism. In the world of American poetry, Siken's voice is striking. In her introduction to the book, competition judge Louise Glück hails the "cumulative, driving, apocalyptic power, [and] purgatorial recklessness" of Siken's poems. She notes, "Books of this kind dream big. . . . They restore to poetry that sense of crucial moment and crucial utterance which may indeed be the great genius of the form."
P. Inman
"P. Inman radically fractures the conventions of language in order to build everything up again from a more elemental level. In per se, the composers Luigi Nono, Morton Feldman, Hans Lachenmann provide musical structure for his jazz-inflected words in motion. The book lives in the tension between the free, multidirectional movement of words and the highly orgazined macro-structures."--Publisher's website.
Jean Gallagher
"This Minute is a connected whole, in which the verse is driven by strong intellectual excitement, evident in the energetic movement of the lines and in a vocabulary that switches easily from the colloquial to the exact. There is an urgent voice, felt close at hand. And there is a skill in handling and matching the size of a poem to its subject that makes each invigorating to read - one arrives slightly out of breach. These poems are luminous, discovering rather than manufacturing their metaphors as the most exact way of speaking."--Jacket.