L' Oeuvre musicale d'Hucbald de Saint-Amand

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William J. Callahan

"This book provides a comprehensive history of one of Spain's key institutions during a long and conflictive period. This study examines the reasons behind the Church's failure to recreate the Catholic Spain of a vanished golden age and the consequences of that failure, particularly during the Second Republic, the Civil War of the 1930s, and the regime of Francisco Franco. The alliance of Church and State under Franco, although far from being as untroubled as apologists maintained in public, began to break down during the 1960s. The causes of deteriorating relations between the Church and the regime form an important part of the book because they formed the background for an astonishing transformation that saw the Church accept democracy following Franco's death in 1975. Although the Church's adaptation to a pluralistic society was far from smooth, that it happened at all is remarkable, given the historic opposition of a majority of clergy and laity to liberalism, democracy, and intellectual freedom."--BOOK JACKET.

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interviews and conversations with John C. Tibbetts

Schumann: A Chorus of Voices is a significant contribution to Schumann's 200th-birthday year, 2010. In these hitherto unpublished interviews and conversations, more than thirty biographers, musicians, critics, and commentators offer their own unique perspectives on Schumann's life, work, controversies, and place in the history of Romantic music. Gathered by Schumann scholar John C. Tibbetts during more than thirty years of travel and research, these intimate and informal talks take the reader "backstage" to the rehearsal hall, scholar's study, archive, and music festival. Included are musicians Dietrich Fischer-Dieskau, Erich Leinsdorf, Jörg Demus, Emanuel Ax, Elly Ameling, Thomas Hampson, Steven Isserlis, Marin Alsop; scholars and biographers Jacques Barzun, Nancy B. Reich, Peter Ostwald, Leon Plantinga, and Larry Todd; critics and commentators Martin Bookspan, Eugenia Zuckerman, and Maurice Sendak; and archivists Gerd Nauhaus, Ute Baer, and Joachim Draheim. The accompanying disc features Van Cliburn Gold Medalist Jose Feghali performing and discussing Schumann's Carnaval, Opus 9, and pianist Ronald Brautigam performing the complete Noveletten, Opus 21 [Publisher description].

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Kristin Boudreau

"In this chronicle of the role of sympathy in American literature and culture from the colonial period to the Gilded Age, Boudreau shows how the sentiment of fellow-feeling was repeatedly recruited at moments of national and personal crisis.". "Unlike many treatments of attachment and sentimentality, this book avoids positing either the radical or the conservative account of sympathy. Drawing on a range of texts from John Winthrop's 1630 "Model of Christian Charity" to William James's 1902 Varieties of Religious Experience, the work explores the entire complicated legacy of sympathy in American culture. In examining what she calls the "cultural fiction" of consanguinity, or shared blood, the author illuminates both its possibilities for soothing social and political divisions as well as its social and psychological costs. In one of the few books to trace the influence of writers of the Early Republic on antebellum sentimental works, Boudreau offers an array of examples from inside and outside the canon to illustrate that sentimental culture did not end with the Civil War."--BOOK JACKET.

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Jonathan H. Grossman

"In The Art of Alibi, Jonathan H. Grossman reconstructs the relation of the novel to nineteenth-century law courts. During the Romantic era, courthouses and trial scenes frequently found their way into the plots of English novels. As Grossman states, "by the Victorian period, theses scenes represented a powerful intersection of narrative form with a complementary and competing structure for storytelling." He argues that the courts, newly fashioned as a site in which to orchestrate voices and reconstruct stories, arose as a cultural presence influencing the shape of the English novel.". "Weaving examinations of novels such as William Godwin's Caleb Williams, Mary Shelley's Frankenstein, and Charles Dicknens's The Pickwick Papers and Oliver Twist, along with a reading of the new Royal Courts of Justice, Grossman charts the exciting changes occurring within the novel, especially crime fiction, that preceded and led to the invention of the detective mystery in the 1840s."--BOOK JACKET.