by William J. Callahan (2000)
"This book provides a comprehensive history of one of Spain's key institutions during a long and conflictive period. This study examines the reasons behind the Church's failure to recreate the Catholic Spain of a vanished golden age and the consequences of that failure, particularly during the Second Republic, the Civil War of the 1930s, and the regime of Francisco Franco. The alliance of Church and State under Franco, although far from being as untroubled as apologists maintained in public, began to break down during the 1960s. The causes of deteriorating relations between the Church and the regime form an important part of the book because they formed the background for an astonishing transformation that saw the Church accept democracy following Franco's death in 1975. Although the Church's adaptation to a pluralistic society was far from smooth, that it happened at all is remarkable, given the historic opposition of a majority of clergy and laity to liberalism, democracy, and intellectual freedom."--BOOK JACKET.
Shai Joshua Lavi
How we die reveals much about how we live. In this provocative book, Shai Lavi traces the history of euthanasia in the United States to show how changing attitudes toward death reflect new and troubling ways of experiencing pain, hope, and freedom.
Laura Salisbury, Andrew Shail
"An exploration of the habits of the modern era beside cultural notions discovering brain function and the nervous system to be central to health and illness. It looks at debates within neurology and culture through neurological works, popular advice, and the appearance of neurological disorders within the aesthetic artefacts of modernity"--Provided by publisher.
Wallace Fowlie
Wallace Fowlie provides an uncommonly well-written survey of French Symbolism by way of analyzing key poems in relation to the historical and literary contexts in which they were written. The literary symbol, as it has been used since Baudelaire's time, has in Fowlie's view a closer relationship with the religious spirit of humanity than with any practical or didactic use. Symbolism has been a major focus of literary study since Baudelaire's Correspondances, which can be seen as a succinct manifesto. It has provided an aesthetic basis for works that have elements of both myth and allegory. These are among the most impressive works of literature since 1850, which have reacted strongly against a realistic art of precision in order to reflect preoccupations that are religious and philosophical. After tracing the background of Symbolism from Romanticism to "Art for Art's Sake," Fowlie considers the work of Nerval, Baudelaire, Mallarmé, Rimbaud, Laforgue, Corbiére, and Verlaine. He then recapitulates the major features of Symbolism and illustrates its continuity to our day. Fowlie sees Symbolism and modern poetry not as the art of rules and obstacles, but rather as the art of triumph over obstacles and the transcendence of human adventure and experience. He concludes with penetrating analyses of the poetic practice of Valéry, Claudel, St. John Perse, and René Char.
Wayne Bethard
Powder papers, booty balls, and sugar tits- Lotions, Potions, and Deadly Elixirs has a cure for whatever ails! These quaint names were given to popular medicinal forms during America's frontier era that were said to cure everything from fallen arches to a broken windmill. Grandmas, mommas, and even certified physicians treated the sick, lame, and unlucky with what was available: barbed wire and horseshoe nails, cactus, pokeweed, buckeyes, you name it. Ironically, a lot of these homespun treatments actually worked. In Lotions, Potions, and Deadly Elixirs, a practicing pharmacist takes a light-hearted look at the most popular medicines from the frontier days and how they were intended to work. -- Provided by publisher. Gives an account of early-day medicines and medical practitioners during the past two to three centuries in America.