Albrecht Dürer
Ernest Raboff
Briefly discusses the influences upon Dürer, the fifteenth-century German artist, and the outstanding features of some of his paintings.

by Tzvetan Todorov (2017)
Le discours soviétique officiel décrit progressivement la réalité du pays en termes qui ne correspondent pas à l'expérience commune, comme si les mots pouvaient créer les choses. L'importance de cette doctrine dépasse de loin le domaine esthétique, elle représente à l'état pur l'un des traits dominants de la société soviétique sous Staline car elle consacre le règne universel du mensonge". A la fois connaisseur de l'Union soviétique et grand penseur des oeuvres d'art, Tzvetan Todorov a souhaité éclairer les rapports idéologiques entre ceux qu'il nomme les "artistes créateurs" et le pouvoir politique à partir de la révolution d'Octobre.0Comment les artistes ont-ils annoncé la révolution ? Comment ont-ils ensuite obéi ou échappé au réalisme socialiste désireux d'annihiler toute création ? Todorov explore le destin d'artistes phares, Maïakovski, Pasternak, Boulgakov ou Mandelstam, et s'attarde sur le parcours singulier du peintre Kasimir Malevitch, dont la pluralité des voies artistiques fait écho à l'intensité de son engagement. Le Triomphe de l'artiste, c'est finalement le pouvoir de l'art sur celui qui veut sa mort.
Ernest Raboff
Briefly discusses the influences upon Dürer, the fifteenth-century German artist, and the outstanding features of some of his paintings.
Lou Ann Walker
Discusses the work of pop artist Roy Lichtenstein and describes how he develops a painting from original idea to finished piece.
Kate Linker
Noted and notorious for his conceptually based body art and performance pieces of the late 1960s and early 1970s, Vito Acconci has uniquely invigorated the American art scene for more than two decades and has exerted a profound influence on the current generation of artists. This first full-scale study of the artist's career traces the shift from his early "language pieces" to his first visual art in 1969 (photographs that recorded the actions of his body - bending, throwing, jumping - in a landscape) to the filmed live performances and provocative installations of the 1970s and to his sculptural furniture and architecture and the public projects of the 1980s and early 1990s.
William Pencak
"Derek Jarman's films explore the possibilities and limitations of same-sex love and self-expression during various historical eras, from ancient Egypt to present times. His work covers a millennium of sexual repression and efforts to escape it. Jarman presents a cinematic history of people whose homoerotic passions had a major impact on western civilization in religion, art, politics, philosophy, and war.". "This book provides background information on each of Jarman's fifteen scripts and films. The chapters are "program notes" to his films from a historical perspective. An interpretation of Jarman's intentions, gleaned from the director's writings and writings about him, is also provided. This work reveals Jarman's importance as a keen student of the limits of historical knowledge, and delineates the role of history in inspiring change or preserving inertia in the present struggle against homophobia."--BOOK JACKET.