The films of Derek Jarman

Sample

Stefan Sharff

One of the most popular thrillers of Alfred Hitchcock's middle years, Rear Window is now also recognized as one of the most brilliant demonstrations of the director's cinematic wizardry. Starring James Stewart and Grace Kelly, with Thelma Ritter and Raymond Burr in memorable supporting roles, the film centers on a photographer confined to a wheelchair in his apartment who, using binoculars, spies on his courtyard neighbors and witnesses a possible murder. This was not the first time Hitchcock challenged himself to build suspense when plot limited action to a small area, but it was the only time when the director's art in creating through a lens is so dramatically reflected in the very story he tells. The voyeur-hero is there to see for us, and the images he chooses to observe become the language of the movie, which is almost thirty-five percent silent. Stefan Sharff, professor emeritus of Columbia University's film department, shows us how Hitchcock achieved the mounting excitement and fear that mark this film. The author first provides a detailed overview of the director's skill in developing the story from intriguing start to shattering climax. In the second part of the book, he goes on to a shot-by-shot analysis; using the film's continuity as his text, he describes how hitchcock's technique accomplished its magic. Illustrated throughout with stills from the film, The Art of Looking is a unique appreciation of the art of Alfred Hitchcock, made even more valuable by the first publication in any form of the full dialogue of a screen masterpiece.

Sample

Napoleone Ferrari, Fulvio Ferrari

"Original and inventive, the work of Carlo Mollino (1905-73) is a unique chapter in the history of twentieth-century Italian design and architecture. For the first time, this book presents his complete works in furniture and interior design. Most of Mollino's furniture was site specific with one-off pieces created for specially commissioned interiors. Rarely available, these works are highly sought after by collectors and design enthusiasts alike." "From the start, both Mollino's interests and personality set him apart from his contemporaries. Influenced by the Second Futurism and Surrealist avant-gardes, Mollino was a modern-day Renaissance man active in an impressive number of fields, including aeronautics, automobile design, art, photography, set design, town planning, furniture, interior decoration and architecture. Through his extensive artistic research, he was able to combine various contrasting forms of expression, which gave his work a remarkable and unusual dynamic. His furniture was based on organic shapes, such as tree branches, animal horns and the human body - with the female profile figuring prominently in his designs. Beyond this highly personal aesthetic, his work involved research into materials and technology, and the development of complex construction techniques, as with the celebrated bent plywood 'Arabesque' table of 1950." "Illustrated with original drawings, sketches and archival photographs, The Furniture of Carlo Mollino represents the most comprehensive record of Mollino's design production. Realized in collaboration with the Museo Casa Mollino and written by the Museum's curators, Napoleone and Fulvio Ferrari, this monograph offers an insight into Mollino's groundbreaking oeuvre."--BOOK JACKET.

Sample

essays by Dena Merriam and Eleanor Munro

Carole A. Feuerman's sculpture combines superrealist technique with a humanist approach to her subjects. This first monograph on her work is filled with David Finn's dramatic photographs covering two decades of her work, including many enlarged details and multiple views, providing a cinematic, almost three-dimensional experience. The work - in resin, cast marble, bronze, and other materials, often painted - ranges from early erotic reliefs through full-scale sculptures of athletes and nudes. Her women at their toilette are sculptural tours-de-force, yet their intimacy recalls Degas's works on similar themes. Recent fragments and body mappings are experiments with abstraction, deconstruction and conceptualism, at the same time that they explore the emotional life of their subjects penetrating to their spirit. All of Feuerman's work reflects the two aspects of her vision. Her work is motivated by questions about the nature of reality, and her remarkable skill as an artist leads the viewer to the same questions. Yet beyond the simulacrum of reality, Feuerman also manages to convey the feeling behind the intense physicality, the passion and sensuality behind the seemingly mundane pose.

Sample

Sanford Sternlicht

"Stephen Spender is the last of the great British poets of the "Thirties". This group, lead[sic] by W H. Auden, used their art as an expression of political sympathy and solidarity with the oppressed and impoverished. Now spanning more than five decades, Spender's work--including The Still Centre and Collected Poems--has earned him both popular praise and the Queen's Gold Medal for Poetry. Although first a poet, Spender has made landmark contributions to literary criticism, prose fiction, political theory, and autobiography."--BOOK JACKET. "Stephen Spender, the first book-length study of the entire Spender canon, discusses all genres of the author's work. Sanford Sternlicht begins by providing the reader with a well researched, biographical sketch of the poet's development over several decades. He also includes a lengthy and insightful discussion of Spender's influential role as literary and political critic. By treating this multifaceted writer's craft, philosophy, politics, aesthetics, and sexuality in a Modernist context, the book fully illustrates Spender's place in the British literary pantheon."--BOOK JACKET.