Madelyn Cannon Stewart Silver

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Erwin Panofsky

This classic text presents the life, times, and works of Albrecht Durer. Through the skill and immense knowledge of Erwin Panofsky, the reader is dazzled not only by Durer the artist but also Durer in a wide array of other roles, including mathematician and scientific thinker. Originally published in 1943 in two volumes, The Life and Art of Albrecht Durer met with such wide popular and scholarly acclaim that it led to three editions and then, in 1955, to the first one-volume edition. Without sacrifice of text or illustrations, the book was reduced to this single volume by the omission of the Handlist and Concordance. The new introduction by Jeffrey Chipps Smith reflects upon Panofsky the man, the tumultuous circumstances surrounding the creation of his masterful monograph, its innovative contents, and its early critical reception. Erwin Panofsky was one of the most important art historians of the twentieth century. Panofsky taught for many years at Hamburg University but was forced by the Nazis to leave Germany. He joined the faculty at the Institute for Advanced Study in 1935, where he spent the remainder of his career and wrote The Life and Art of Albrecht Durer. He developed an iconographic approach to art and interpreted works through an analysis of symbolism, history, and social factors.

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Pat Mora

A family memoir told in the voices of ancestors, House of Houses is about oppression and survival and sometimes triumph, as "any book about a Mexican American family must be." Mora's House of Houses is large, imagined, traditional, a refuge from the desert's heat, where the generations of her family, living and dead, mingle through the months of a single year. The house in inhabited by Mora's father, Raul, the fighter who hit no one; her mother, Estela, the extrovert who in grade school chose to be a rainbow tulip for May Day since no one color was enough; Estela's mother, Amelia, the Mexican Cinderella, a red-haired orphan taken in by wealthy relatives. Drawing on the magical realism that distinguishes the work of so many Latin American writers - from Garcia Marquez to Esquivel - Mora writes of the multicolored cloth that heals the women in her family and of her father's ability to turn himself into a bird. Great-grandmother Tomasa, in her nineties, leaves fruit behind her radio for the announcer she loves. And Mora's Aunt Chole, though legally blind, is the only one who sees The Virgin Mary when she appears in the garden.

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Lee Bennett Hopkins

Noted children's poet Lee Bennett Hopkins recounts his life and describes how his daily activities and writing process are interwoven.

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story by Juan Felipe Herrera

The author recalls the year when his farm worker parents settled down in the city so that he could go to school for the first time.