Mammoths

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Thomas Morawetz

This volume explores how the creation of transformational makeup for theater, movies, and television fulfills a fundamental human fantasy of inhabiting other bodies and experiencing other lives through self-transformation and satisfies the desire to become "the other." The author begins by discussing the cultural role of fantasies of transformation and what these fantasies reveal about questions of personal identity. He next turns to professional makeup artists and describes their background, training, careers, and especially the techniques they use to create their art. Then, with numerous before-during-and-after photos of transformational makeups from popular and little-known shows and movies, ads, and artist's demos and portfolios, he reveals the art and imagination that go into six kinds of mask-making -- representing demons, depicting aliens, inventing disguises, transforming actors into different (older, heavier, disfigured) versions of themselves, and creating historical or mythological characters. "Wearing a mask - putting on another face - embodies a fundamental human fantasy of inhabiting other bodies and experiencing other lives. In this extensively illustrated book, Thomas Morawetz explores how the creation of transformational makeup for theater, movies, and television fulfills this fantasy of self-transformation and satisfies the human desire to become "the other.""--Jacket.

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Duo Dickinson

Detailing has traditionally been relegated to the lowest tier in an architectural office - the apprentices, interns, and newly licensed. And yet architectural detailing has the ability to elevate projects to the highest level of aesthetic expression. Now, for the first time in book form, there's a collection of projects displaying the "nuts and bolts" of creative architectural detailing in building design - one that offers a treasure of examples for creating richer detailing using state-of-the-art techniques. Putting the lie to the common assumption that quality detailing is either prohibitively expensive or that it requires an obsession with technology, the book shows how architects address practical architectural needs with aggressively innovative and aesthetically expressive solutions. Among its special features schematics, working drawings, and photographs of actual built details - all in one place; depictions of details that can be created with readily available materials; easy-to-follow classification of details by function and use; and examples of state-of-the-art technology and materials for a wide variety of situations. On display are details that add touches to buildings that go far beyond the commonplace moldings, trim, eaves, and flashing of typical construction. Projects represent a wide range of budgets. The detailing of walls, ceilings, roofs, doors, windows, kitchens, bathrooms, siding and exterior trim, millwork, mantelpieces, and light fixtures are all examined in a wide variety of approaches by some of America's leading architects. Lavishly illustrated with 350 line drawings and photographs, this book shows the architectural detailing work of some of our country's most gifted architects at the peak of their abilities. The art of creating details that are expressive as well as technologically sound is featured from such masters as Stanley Tigerman, Peter Bohlin, James Cutler, George Ranalli, Alfredo De Vido, and many more of today's most exciting and innovative designers.

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with introduction and notes by A.B. De Mille

An epic poem set during the expulsion of the Acadians from Acadie, following the fictional Evangeline and her search for her lost love, Gabriel.

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Edith Wyss

Titian's great late painting of Apollo and Marsyas has been included in several recent exhibitions of Venetian painting in Europe and the United States. In this study, art historian Edith Wyss sheds light on the perception of the theme in the fifteenth and sixteenth centuries. Renaissance artists knew several outstanding antique sculptures representing the myth and drew often on these prestigious models for inspiration. Only from the third decade of the sixteenth century onward did autonomous artistic interpretations of the myth assert themselves. Among the artists who devoted their skills to this myth are Perugino, Raphael, and several of his followers - Giulio Romano, Parmigianino, Bronzino, Salviati, Tintoretto, and Titian. Wyss demonstrates that some depictions encode messages that transcend the obvious exhortation against pride. Taking their cue from a popular edition of the Metamorphoses, some patrons and artists viewed the myth as an allegory of the revelation of truth. Others, following Pythagorean teachings, perceived the sun god's lyre music as the music of the spheres. In this perception, Apollo's victory assures the continued harmonious functioning of the universe, and Marsyas's defiance of the sun god's authority called for the severest retribution. In a few instances the author demonstrates that the Pythagorean allegorical reading of the myth was borrowed for political ends, with Apollo's victorious lyre standing as metaphor for the supposedly harmonious government of the ruling power. The discussion allows the Marsyas myth to unfold in a theme of extraordinary richness and depth and touches on issues that were at the core of the Renaissance culture.