A baker's portrait
Michelle Edwards
Michelin paints portraits that do not flatter her sitters but she learns an enduring lesson when she must paint her kindly aunt and uncle.

by Gilya Gerda Schmidt (1995)
Martin Buber (1878-1965) was born into a world of two cultures - his Jewish family and his Austrian fatherland. During his childhood with his grandparents in Galician Lvov, Jewish values and German aesthetics coexisted. But after Buber re-entered fin-de-siecle Viennese society, the world of his grandparents fell apart. Nothing was as it should have been: Jewish hopes for full social integration were disappointed, Yiddish culture seemingly caused modern Jewish youth to be impoverished, and the Jewish religion had become ossified. In his personal confusion, Buber clearly grasped the essence of the problem: emancipation had failed, German culture was dying, Jews were on their own, and tradition was no longer good enough. . During the period from 1897 to 1909, Buber's keen sense of the crisis of humanity, his intimate knowledge of German culture and Jewish sources, and his fearlessness in the face of possible ridicule challenged him to behave in a manner so outrageous and so contrary to German-Jewish tradition that he actually achieved a transformation of himself and those close to him. Calling on spiritual giants of great historical periods in German, Christian, and Jewish history - such as Nicolas of Cusa, Jakob Bohme, Israel Baal Shem Tov, Rabbi Nachman of Brazlav, Johann Wolfgang von Goethe, and Friedrich Nietzsche - Buber proceeded to subvert the existing order by turning his upside-down world of slave morality right side up once more. If contemporary life was bankrupt, why lament? Did not God command humanity to act? Buber wholeheartedly immersed himself in the making of a new world, of Zionist culture, of Hasidic spirituality, of Romantic individuality, of unity from diversity. By examining the multitude of disparate sources that Buber turned to for inspiration, this book aims to elucidate Buber's creative genius and his contribution to turn-of-the-century Jewish renewal. Schmidt's timely and comprehensive study concludes that Buber was successful in creating the German-Jewish symbiosis that Emancipation was to have created for the two peoples, but that this synthesis was tragic because it came too late for practical application by Jews in Germany. Those listening to Buber were about to leave voluntarily for the ancestral Jewish homeland, and the Jews who were not interested then were later forced to leave - or to submit to worse fates. The opportunity for the realization of a German-Jewish symbiosis had passed.
Michelle Edwards
Michelin paints portraits that do not flatter her sitters but she learns an enduring lesson when she must paint her kindly aunt and uncle.
David W. Torrance, George Taylor
Historically anti-Semitism has been ingrained in much Christian theology and practice. Is this the result of New Testament teaching or an alien intrusion into Christianity? What is a Christian attitude towards the Jewish people and towards the State of Israel? What is currently going on in the Middle East and does Israel still play a role in God's purposes for the redemption of the world? This book seeks to set out a biblical and theological case for the ongoing importance of the Jewish people in God's plans for creation and to explain something of the complex and controversial situation in the modern day Israeli state.
Patrick Grant
"This book makes an original contribution to the study of modern Northern Ireland by examining the complex relationships among religion, literature and ethnicity since 1967. Patrick Grant focuses on a contradiction within sectarianism between the Christian injunction to love one's enemies, and the scapegoating, stereotyping and mirror oppositions that result from an annexation of religion to ethnic exclusivism. In general, a 'post-critical' view of religion is offered, welcoming the critique provided by secularism and maintaining that the varieties of imagination - whether literary or religious - can be liberative and mutually supporting."--Jacket.
Max I. Dimont
A wondrous tale of American Judaism as the world's greatest success story, by the flamboyantly upbeat author of Jews, God and History (1964) and The Indestructible Jews (1971). According to Dimont, the first Jews to arrive--in search of safety and opportunity, not a haven for orthodoxy--had it made before they landed, thanks to the Old Testament hold on Colonial life (the Mosaic commandments, the Promised Land, the Puritan ethic); and thereafter, unhampered either by prejudice or by tyrannical rabbis, they dispersed along the frontier, instituted secular reforms (anticipating the German Reform movement), and prospered as merchants and bankers. This German-Jewish ""crowd"" also, says Dimont, ""'invented' modern philanthropy"" and, to tame their unruly Russian co-religionists, sponsored Conservative Judaism, more American than orthodoxy, more traditional than Reform. Subsequently, ""all the dissident elements of American Jewish society. . . coalesced to give birth to the first 'American Jews.'"" None of this--told with an emphasis on commanding personalities--is either wholly unfounded or totally novel, but it is so highly colored, so feeble as social history, and so full of holes that one can't treat it seriously. American Jewish socialism and American Yiddish culture are disposed of in two pages; the one time American anti-Semitism rears its ugly head (apropos of the 1862 Grant affair), it's explained away; and American Zionism--without even a psychological stake in Israel--can then be altogether ""altruistic."" Neither do American Jews have an identity problem: a strong organizational life compensates for a weak religious life. Dimont, as he's demonstrated before, has no use for the ghetto image of the Jew or for Jewish history as a ""dirge of oppression,"" and those who share his antipathies will find here the American dream come true.