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Jennifer Lopez

One of the most influential Latina performers in history opens up about her life's most defining period, two years during which it took everything she had to rise above the greatest challenges she had ever faced.

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M.C. Beaton

The villagers of Lochdubh and nearby Braikie are being plagued with a rash of poison pen letters. And while the letters seem silly (many of the claims seem to be absolutely ludicrous), Hamish Macbeth cannot help but worry about the one letter that might provoke a murder. And true enough things take a very serious turn indeed when the postmistress of Braikie, Miss Amy Beattie, is found hanging from her ceiling, an apparent suicide. But Hamish doesn't believe that it is suicide, and insists on a proper investigation. But it is only when murder claims another victim soon after Miss Beattie that Hamish begins to suspect that this could be a very complicated and dangerous case. Fortunately for Hamish (whether he likes it or not) he's going to get a lot of help in unraveling this case: first there is his friend, reporter Elspeth Grant, willing to offer her keen insights (and more if need be); and then there is also vacationing Jenny Ogilvie, a jealous friend of Hamish's ex-fiancee, Priscilla Halburton-Smythe (whom he still hasn't completely gotten over), who's come to Lochdubh with the intention of nabbing Hamish for herself. Will Hamish discover who the murderer is before (s)he strikes again? Will Jenny succeed in her plan to seduce Hamish? More importantly, will Hamish finally get over Priscilla? The last in Beaton's Hamish Macbeth series, "Death of a Village," received glowing reviews from such publications as the "New York Times Book Review, Kirkus Reviews, Chicago Sun-Times, Philadelphia Inquirer," and "Booklist," among others.

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Michael Hicks and Christian Asplund

In this first interpretive narrative of the life and work of Christian Wolff, Michael Hicks and Christian Asplund trace the influences and sensibilities of a contemporary composer's atypical career path and restless imagination. Written in full cooperation with Wolff, including access to his papers, this volume is a much-needed introduction to a leading avant-garde composer still living, writing music, and speaking about his own work. Wolff has pioneered various compositional and notational idioms, including overtly political music, indeterminacy, graphic scores, and extreme virtuosity. Trained as a classicist rather than a musician, Wolff has never quite had both feet in the rarefied world of contemporary composition. Yet he's considered a "composer's composer," with a mind ensconced equally in ancient Greek tragedy and experimental music and an eccentric and impulsive compositional approach that eludes a fixed stylistic fingerprint. Hicks and Asplund cover Wolff's family life and formative years, his role as a founder of the New York School of composers, and the context of his life and work as part of the John Cage circle, as well as his departures from it. Critically assessing Wolff's place within the experimental musical field, this volume captures both his eloquence and reticence and provides insights into his broad interests and activities within music and beyond [Publisher description].

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Dan Hofstadter

Hofstadter "shows how these rediscovered documents [forgotten personal writing which has resurfaced in France] bear on the erotic lives of their writers, and how the fine French tradition of conducting love affairs developed as an art form....The romantic trajectory runs from Benjamin Constant and Mme. de Staël to the beautiful Mme. Récamier and her lover Chateaubriand; from George Sand and Alfred de Musset to Mme. de Caillavet and Anatole France; and it concludes with a touching portrait, based partly on still-unpublished sources, of the girl who became the model for Proust's Gilberte."--Jacket.