by Lauren B. Hewes (2004)
"Portraits in the Collection of the American Antiquarian Society grew out of a project initiated by Georgia B. Barnhill, Andrew W. Mellon Curator of Graphic Arts at the American Antiquarian Society, to update the documentation of the Society's portrait collection reflecting its growth since 1946. This work was undertaken by Lauren B. Hewes. The collection is an eclectic one that represents many aspects of the history of the Society: the interests of benefactors who gave their collections to the Society and the impulse to commemorate the Society's leadership. A number of portraits came into the collection with or because of related manuscript or book collections or were commissioned by the Society and for these there is extraordinary information about the circumstances of their production."--BOOK JACKET.
Peter Held
Presents a series of essays about the life and accomplishments of the Japanese American artitst, describing her work as a potter, her incorporation of Eastern and Western techniques, and her transition into abstract sculpture and installation art.
Leslie Sills
Presents the lives and works of four pioneering women artists: Mary Cassatt, Leonora Carrington, Betye Saar, and Mary Frank.
Laura Miller
THE MAGICIAN'S BOOK is the story of one reader's long, tumultuous relationship with C.S. Lewis'The Chronicles of Narnia. Enchanted by its fantastic world as a child, prominent critic Laura Miller returns to the series as an adult to uncover the source of these small books' mysterious power by looking at their creator, Clive Staples Lewis. What she discovers is not the familiar, idealized image of the author, but a more interesting and ambiguous truth: Lewis's tragic and troubled childhood, his unconventional love life, and his intense but ultimately doomed friendship with J.R.R. Tolkien. Finally reclaiming Narnia "for the rest of us," Miller casts the Chronicles as a profoundly literary creation, and the portal to a life-long adventure in books, art, and the imagination.
under the direction of Roland Recht
"Long before its emergence as a political entity, Europe was distinguished by its intense traffic in goods and people. Artist, art-lovers, and rich patrons made arduous journeys not only by road but also by river to far-flung locales as they sought to satisfy their appetite for beauty. This is the world of The Great Workshop, in which the editors develop a number of themes analyzing the circulation of art and the artistic community over a substantial geographic area ranging from Dublin to Palermo, from Cordoba to Stockholm, Rouen to Sofia. Short, focused essays treating the peregrinations of those conducting the business of art are crucial to our understanding of the migration of themes and formal motifs." "With its remarkable and often spectacular selections, The Great Workshop illustrates the complex web of European artistic exchange and production. The book contains 350 full-color examples from well over one hundred European collections and essays from distinguished art historians who elucidate a long stretch of art history from the fall of the Roman Empire to the birth of the first great museums of Europe."--Jacket.