by John Buchan (2003)
When I was a child in short-coats a spaewife came to the town-end, and for a silver groat paid by my mother she riddled my fate. It came to little, being no more than that I should miss love and fortune in the sunlight and find them in the rain. The woman was a haggard, black-faced gypsy, and when my mother asked for more she turned on her heel and spoke gibberish; for which she was presently driven out of the place by Tarn Roberton, the baillie, and the village dogs. But the thing stuck in my memory, and together with the fact that I was a Thursday's bairn, and so, according to the old rhyme, "had far to go," convinced me long ere I had come to man's estate that wanderings and surprises would be my portion. It is in the rain that this tale begins. I was just turned of eighteen, and in the back-end of a dripping September set out from our moorland house of Auchencairn to complete my course at Edinburgh College. The year was 1685, an ill year for our countryside; for the folk were at odds with the King's Government, about religion, and the land was full of covenants and repressions. Small wonder that I was backward with my colleging. . . .
Deborah Philips and Ian Haywood
This work represents a major remapping of the literary history of the 1950s. It reveals the importance of women, hitherto underestimated, in postwar society. Also, it offers a reinterpretation of many familiar texts of the period.
Diana Tixier Herald
This guide for librarians begins by placing readers' advisory services in the library into context, reviewing related theory and research, and explaining how the landscape of genre plays a central role in readers' advisory service. After a section on basic techniques used by readers' advisors to provide good service to patrons, the book delves into 14 genres, including the usual romance, Western, and literary fiction genres, but also covering less common genres such as Christian fiction, urban fiction, and women's fiction, as well as nonfiction. Each chapter describes the genre's characteristics and supplies lists of currently significant titles, must-reads, five fan faves, and 20-30 benchmark titles. --Publisher's description.
Alexandra W. Schultheis
"In Regenerative Fiction, Alexandra W. Schultheis brings postcolonial and psychoanalytic theories together to explore this tumultuous zone, a place that is at once cutting edge, open wound, and sutured scar. This analysis of the authors' political and aesthetic strategies reveals fissures in the ruling ideology of subject and nation as well as immanent resistance to it."--Jacket.
John G. Cawelti, Bruce A. Rosenberg
Why has the spy story become such a popular form of entertainment in our time? In this fascinating account of the genre's evolution, John G. Cawelti and Bruce A. Rosenberg explore the social, political, and artistic sources of the spy story's wide appeal. They show how, in a time of bewildering political and corporate organization, the spy story has become increasingly relevant, the secret agent hero expressing the feelings of divided and ambiguous loyalties with which many individuals face the modern world. In addition to a general history of the genre, Cawelti and Rosenberg present in-depth analyses of the work of certain writers who have given the spy story its shape, among them John Buchan, Eric Ambler, Graham Greene, Ian Fleming, and John le Carré. The Spy Story also includes an extensive appendix, featuring a literary and historical bibliography of espionage and clandestinity, a list of the best spy novels and films, a catalog of major spy writers and their heroes, and a selection of novels on espionage themes written by major twentieth-century authors and public figures. Written in a lively style that reflects the authors' enthusiasm for this intriguing form, The Spy Story will be read with pleasure by devotees of the genre as well as students of popular culture.