Seeing Chekhov

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Mieke Bal

"Mieke Bal's primary object of investigation in Quoting Caravaggio is not the great seventeenth-century painter, but rather the issue of temporality in art. In order to retheorize linear notions of influence in cultural production, Bal analyzes the productive relationship between Caravaggio and a number of late-twentieth-century artists who "quote" the baroque master in their own works. These artists include Andres Serrano, Carrie Mae Weems, Ken Aptekar, David Reed, and Ana Mendieta, among others."--BOOK JACKET. "Quoting Caravaggio is at once a meditation on history as creative, nonlinear process; a study of the work of Caravaggio and the Baroque; and, not least, a critical exposition of contemporary artistic representation and practice."--BOOK JACKET.

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Rebecca Smith

In this important study, Rebecca Smith (no relation to the author of this study) uses language theory and feminist critical theory to examine Lee Smith's "critique" of gender ideology in her fiction. This book charts Lee Smith's fictional exploration of the cultural devaluation of women and of the traditional romance plot. An in-depth look at Smith's appropriation of male myth, images and language, all of which she uses to deconstruct traditional gender arrangements, the work chronologically covers Lee Smith's first nine novels and her two short story collections.

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Stephen Engstrom

By developing an account of practical knowledge that situates Kant's ethics within his broader epistemology and rethinks numerous topics in his moral psychology and in his account of practical reason, this book promises to deepen and to reshape our understanding of Kantian ethics.

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Douglas Rushkoff

Rushkoff warns that the promise of the Net as an open-ended civic forum is fading, as relentless corporate marketers peddle their wares and capitalize on shortened attention spans. He identifies subtle forms of coercion used by advertisers, public relations experts, politicians, religious leaders and customer service reps, among others, and provides examples of how the ordinary person is often unsuspectingly manipulated, whether in the shopping mall, at a sports event or in a Muzak-drenched store or office. This analysis is particularly strong when deconstructing the "postmodern" techniques of persuasion that advertisers use to reach increasingly cynical target audiences, including commercials that self-consciously mock the marketing process. Rushkoff also argues that mass spectacles (e.g., rock festivals, Louis Farrakhan's Million Man March, Promise Keepers rallies) foster "tribal loyalty" but are often contrived, commercial or downright destructive. He devotes a chapter to pyramid schemes used by cults, infomercials, Internet con artists and get-rich-quick marketers. His freewheeling survey underscores the social cost of these coercive strategies, which, he says, tend to make us see one another as marks.