Shadow-box

Sample

Barbara Vine

It is 1905. Asta and her husband Rasmus have come to East London from Denmark with their two little boys. With Rasmus constantly away on business, Asta keep loneliness and isolation at bay by writing a diary. These diaries, published over seventy years later, reveal themselves to be more than a mere journal. For they seem to hold they key to an unsolved murder and to the mystery of a missing child. It falls to Asta's granddaughter Ann to unearth the buried secrets of nearly a century before.

Sample

Deborah Hopkinson

ngela and her family have arrived in New York City from their village in Italy to find themselves settled in a small tenement apartment on the Lower East Side. When her father is no longer able to work, Angela must leave school and work in a shirtwaist factory. Against the backdrop of the birth of the labor union movement in the early 1900s, Angela plays a part in the drama and turmoil that erupt as the workers begin to strike, protesting the terrible conditions in the sweatshops. And she records the horrors of the Triangle Factory fire and the triumphs and sorrows of the labor movement.

Sample

Joyce Carol Oates

'One of America's greatest and most prolific contemporary literary figures draws on her years of experience with the craft to answer profound questions ranging in topic from inspiration, memory, and self-criticism to what makes a story good, a novel successful, and a writer an artist.A tribute to the brilliant craftsmanship of one of our most distinguished writers, providing valuable insight into her inspiration and her methodJoyce Carol Oates is widely regarded as one of America's greatest contemporary literary figures. Having written in a number of genres -- prose, poetry, personal and critical essays, as well as plays -- she is an artist ideally suited to answer essential questions about what makes a story striking, a novel come alive, a writer an artist as well as a craftsman.In The Faith of a Writer, Oates discusses the subjects most important to the narrative craft, touching on topics such as inspiration, memory, self-criticism, and "the unique power of the unconscious." On a more personal note, she speaks of childhood inspirations, offers advice to young writers, and discusses the wildly varying states of mind of a writer at work. Oates also pays homage to those she calls her "significant predecessors" and discusses the importance of reading in the life of a writer.Oates claims, "Inspiration and energy and even genius are rarely enough to make 'art': for prose fiction is also a craft, and craft must be learned, whether by accident or design." In fourteen succinct chapters, The Faith of a Writer provides valuable lessons on how language, ideas, and experience are assembled to create art.

Sample

Dan Hofstadter

Hofstadter "shows how these rediscovered documents [forgotten personal writing which has resurfaced in France] bear on the erotic lives of their writers, and how the fine French tradition of conducting love affairs developed as an art form....The romantic trajectory runs from Benjamin Constant and Mme. de Staël to the beautiful Mme. Récamier and her lover Chateaubriand; from George Sand and Alfred de Musset to Mme. de Caillavet and Anatole France; and it concludes with a touching portrait, based partly on still-unpublished sources, of the girl who became the model for Proust's Gilberte."--Jacket.