"This book looks back at the historical roots of "zero tolerance" school discipline policies. Through a case study of the Los Angeles city school district from the 1950s through the 1970s, Judith Kafka explores the intersection of race, politics, and the bureaucratic organization of schooling. Kafka argues that control over discipline became increasingly centralized in the second half of the 20th century in response to pressures exerted by teachers, parents, students, principals, and local politicians - often at different historical moments, and for different purposes. Kafka demonstrates that the racial inequities produced by today's school discipline policies were not inevitable, nor are they immutable"--
Setting / LocationCalifornia
Story EraModern Era
Protagonist / CoreThe history of "zero tolerance" in American public schooling Lead Character
Finally, a guide by a leading Hollywood insider who actually knows the answer-and now she shows you how to do it yourself! Lane Shefter Bishop, CEO of Vast Entertainment, explains the key to selling your screenplay, novel, or script. This comprehensive guide to opening career doors is the first of its kind, highlighting the tips and techniques for making your story stand out. From tips on character development to hints on points to avoid, Bishop covers all your bases when selling your story.
Americans are in denial, maintains security expert Flynn, about how vulnerable our nation is to disaster, be it terrorist attack or act of God. But what's truly shocking, he argues, is how little we have learned from September 11 and Hurricane Katrina. America is living on borrowed time--and squandering it. Flynn describes how we have become increasingly vulnerable to disaster by grossly neglecting the complex, crumbling infrastructure that provides our water, food, health care, electricity, and transportation. Through a series of realistic scenarios, he dramatizes the prime areas of documented risk, where terrrorist attacks could kill thousands and bring regions to their economic knees--but the wrath of Mother Nature may be our gravest threat. But Flynn also explores what we can do about it, as individuals and as a society, outlining a detailed, pragmatic preparedness program we can embrace right now.--From publisher description. Includes information on agriculture, airlines, al-Qaeda, Boston, George W. Bush, California, chemical faculities, Coast Guard, infectious diseases, earthquakes, economy, electricity, emergency care system, emergency response, Federal Emergency Management Agency (FEMA), federal government, fire, floods, flu, gasoline, hospitals, Hurricane Katrina, hurricanes, infrastructure, insurance, Iraq, levees, Los Angeles, military, Mississippi, national security, natural disasters, New Jersey, New Orleans, New York,, oil refineries, oil tankers, police, ports, power system, disaster preparedness, private sector, public health system, rail systems, San Francisco, Seattle, September 11 terrorist atacks, state and local governments, transportation system, water systems, etc.
On November 27, 1978, councilman Dan White bypassed the San Francisco City Hall security systems by crawling through a basement window with a loaded .38. By the time he left City Hall that day, Mayor George Moscone and openly homosexual councilman Harvey Milk had been shot dead - point blank. Convicted of manslaughter, not first degree murder, Dan White and the infamous "Twinkie defense" entered the legal vocabulary. The Harvey Milk case also, more ominously, was the beginning of a trend in criminal trials that has led to such disturbing verdicts as those in the recent Lorena Bobbitt, Rodney King, and Menendez brothers trials. With Justice for Some: Victims' Rights in Criminal Trials, a ground-breaking book by renowned legal scholar George P. Fletcher, is the first effort to examine the new political trial. In the high-profile, politicized trials of the 1990s, punishment becomes a means of self-vindication for disenfranchised groups who identify with the victims. Criminal trials have become the focal points for activist groups who have suffered in the palace of justice, and who now take their grievances to the street. Gay men stream out of the Castro and riot after the unexpected manslaughter verdict in the slaying of Harvey Milk. Blacks and Hispanics rebel in Los Angeles after the first Rodney King verdict, leaving South-Central L.A. in ruins. Hasidic Jews march and scream their bitter disappointment after the surprise acquittals in trials for the murders of Meir Kahane and Yankel Rosenbaum. Feminists fill the streets to "take back the night" and toughen our laws against rape. With his insightful, angry critique, George Fletcher confronts the flaws in America's system of criminal prosecution. He explains exactly how such miscarriages of justice have become endemic. The primary function of today's criminal trials, Fletcher argues, is no longer to determine guilt and to condemn evil. It is rather to understand the mind of the criminal, to camouflage the crime as less heinous and less deserving of punishment. Under the influence of psychiatric experts, criminal evil becomes "deviant behavior." Cold-blooded murderers are treated as abused children. Blaming the victim, defense lawyers picture Rodney King as "in control" of his beating and claim that Yankel Rosenbaum "sacrificed himself." Judges have lost control over their courtrooms, giving lawyers free reign to divert jurors from the facts with outlandish theories that portray their clients as the supposed victims. No one could have anticipated the effect that tabloid television, public relations firms working for accused murderers, and jury consultants who use marketing skills and opinion polls to stack juries would have on the system that is supposed to guarantee our liberties. The abandoned victims now cry out for reform. With critical sophistication and a profound understanding of criminal law here and abroad, George Fletcher offers sensible, realistic suggestions for reform. An urgent call for victims' rights, With Justice for Some engages the reader with an evocative portrayal of what's wrong with the system and what needs to be done to fix it.
Acclaimed as one of the most influential and innovative American directors, Francis Ford Coppola is also lionized as a maverick auteur at war with Hollywood's power structure and an ardent critic of the postindustrial corporate America it reflects. However, Jeff Menne argues that Coppola exemplifies the new breed of creative corporate person and sees the director's oeuvre as vital for reimagining the corporation in the transformation of Hollywood. Reading auteur theory as the new American business theory, Menne reveals how Coppola's vision of a new kind of company has transformed the worker into a liberated and well-utilized artist, but has also commodified individual creativity at a level unprecedented in corporate history. Coppola negotiated the contradictory roles of shrewd businessman and creative artist by recognizing the two roles are fused in a postindustrial economy. Analyzing films like The Godfather (1970) and the overlooked Tucker: The Man and His Dream (1988) through Coppola's use of opera, Menne illustrates how Coppola developed a defining musical aesthetic while making films that reflected the idea of a corporation as family--and how his studio American Zoetrope came to represent a new brand of auteurism and the model for post-Fordist Hollywood. --Provided by publisher.
The history of "zero tolerance" in American public schooling by Judith Kafka | Literally Just Books
