The house of journalists

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Fay Weldon

"Your writer, in conjuring this tale of murder, adultery, incest, ghosts, redemption and remorse, takes you first to a daffodil-filled garden in Highgate, North London, where, just outside the kitchen window, something startling shimmers on the very edges of perception. Fluttering and chattering, these are our kehua - a whole multiplying flock of Maori spirits (all will be explained) goaded into wakefulness by the conversation within. Scarlet - a long-legged, skinny young woman of the new world order - has announced to Beverley - her aged grandmother - that she intends to leave home and husband for the glamorous actor, Jackson Wright - he of the vampire films. Beverley may be well on her way to her ninth decade, but she's not beyond using this intelligence to stir up a little trouble. Quite how they became attached to a three-year-old white girl is the origin of your writer's tale. Suffice to say that murder is at the root of it all, that Beverley and her female bloodline carry a weighty spiritual burden and that this is the story of how they learn to live with their ghosts, or maybe how their ghosts learn to live with them."--

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Cristina García

A vivid and funny first novel about three generations of a Cuban family divided by conflicting loyalties over the Cuban revolution, set in the world of Havana in the 1970s and '80s and in an emigre neighborhood of Brooklyn. It is a story of immense charm about women and politics, women and witchcraft, women and their men.

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Jeffrey Sharlach

The novel tells the story of a young gay advertising executive struggling to find himself and true love in 1970's New York. Author Jeffrey Sharlach paints a picture of life in New York for a gay man at that moment in history. From the streets of Greenwich Village to summers on Fire Island to the dawn of AIDS, Sharlach writes with humor, poignancy, and charm, presenting characters who are universal in their appeal. Running in Bed's incomparable, evocative images will resonate with readers, regardless of their personal.

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Wendy Wasserstein

"A dinner party in an ornate mansion on the fashionable Upper East Side of Manhattan provides the scene for this witty and incisive play. Set in two eras - the early 1900s and our own Gilded Age - the characters move effortlessly from one period to the other. The host, a contemporary master of high-risk arbitrage, steps in and out of character as a robber baron of an earlier time. His guests of today include a Hollywood director, a not-so-cutting-edge sculptor, an online lingerie designer, an aggressive publicist, and an aging historian. Their counterparts from the past are the great man's rebellious son, a grand dame of New York society, the architect who built the mansion originally, and the maids and servants who maintain it. In this dance of rich storytelling and social commentary, it becomes strikingly clear that while old money has become new, little else has changed over the years. Children still rebel against their controlling parents, women still hope for love, and greed, snobbery, and angst persist. Black-and-white photos within text."--BOOK JACKET.