The Prince

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Kate Chopin

The Awakening is a novel by Kate Chopin, first published in 1899. Set in New Orleans and on the Louisiana Gulf coast at the end of the 19th century, the plot centers on Edna Pontellier and her struggle between her increasingly unorthodox views on femininity and motherhood with the prevailing social attitudes of the turn-of-the-century American South. It is one of the earliest American novels that focuses on women's issues without condescension. It is also widely seen as a landmark work of early feminism, generating a mixed reaction from contemporary readers and critics.

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Alison Lurie

Like a loyal Victorian wife, Jenny has devoted her life to her much older husband, the famous writer and naturalist Wilkie Walker, bringing up their children and researching and editing his best-selling books. But this year, as winter approaches, Wilkie is increasingly depressed and withdrawn. At her wit's end, Jenny persuades him to visit Key West, the Last Resort. Within weeks of their arrival Jenny not only has a part-time job but is becoming involved with assorted local characters, including Gerry, an ex-beatnik poet, and Lee, the dramatically attractive manager of a women-only guesthouse. Wilkie, meanwhile, is planning his own "accidental" death by drowning--a task that turns out to be more difficult than he thought--and trying to avoid the attentions of a breathless young female fan.

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George Cotkin

In the last two decades of the nineteenth century Americans were faced with the challenges--and the uncertainties--of a new era. The comfortable Victorian values of continuity, progress, and order clashed with the unsettling modern notions of constant change, relative truth, and chaos. Attempting to embrace the intellectual challenges of modernism, American thinkers of the day were yet reluctant to welcome the wholesale rejection of the past and destruction of traditional values. In Reluctant Modernism: American Thought and Culture, 1880-1900, George Cotkin surveys the intellectual life of this crucial transitional period. His story begins with the Darwinian controversies, since the mainstream of American culture was just beginning to come to grips with the implications of the Origin of Species, published in 1859. Cotkin demonstrates the effects of this shift in thinking on philosophy, anthropology, and the newly developing field of psychology. Drawing upon his extensive knowledge of these fields, he explicates, in terms easily accessible to the general reader the essential tenets of such major thinkers and writers as William James, Franz Boas, Charlotte Perkins Gilman, Henry Adams, and Kate Chopin. Cotkin devotes careful consideration to the underlying assumptions of racism that culminated in the s̀eparate but equal' doctrine, the struggles of women to combat the pseudoscientific arguments relegating them to the domestic sphere, and the attempts of self-appointed custodians of culture to create a morally improving public culture that would counteract the decadent influence of consumerism.

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Charles A. Riley II

Modernism generally signifies the efforts of late 19th century European painters, writers, musicians and philosophers who consciously broke with tradition. This is an examination of what that meant for those aristocrats who were also modernists.