Aristocracy and the modern imagination

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Walter Vandereycken & Ron van Deth

With waiflike models dominating the advertising world and a new wave of feminists waging war on social pressure to be thin, eating disorders have, it seems, attained the status of a modern crisis. Although anorexia nervosa was not identified as such until the nineteenth century, the compulsion to be thin at the price of starvation has a long history in western society. Long before talk shows took over the air waves and Cosmopolitan hit the stands, obsession with body and fasting rituals plagued girls and women. But is anorexia as we know it today new? . In an engaging and thorough account of the history of self starvation in the western world, Walter Vandereycken and Ron Van Deth explore this question. Drawing on a myriad of intriguing examples, the authors show how self-inflicted starvation has changed its tone over the centuries and is inextricably enmeshed in socio-cultural contexts. Consider how drastically the meaning of fasting has mutated in the Christian western world: that in the twelfth century when divine miracles were accepted realities, an emaciated girl would have been seen as holy and touched by God. That same girl would have been considered possessed and cursed by Satan in the sixteenth century when popular belief in witches was on the rise. From Fasting Saints to Anorexic Girls traces the history of starvation from its religious roots, bound up in rigid asceticism, to its economic ties, in the form of living skeletons like "shadow Harry" who toured freak shows displaying his protruding ribs for money, to the Victorian era, where modern sexual and gender stereotypes find their origin. The book is a result of exhaustive research, covering Europe and the United States and spanning the early centuries of Christianity to the present day. From Fasting Saints to Anorexic Girls will interest readers in the fields of psychology, psychiatry, women's studies, religious and social history, and cultural studies.

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H. Blumenthal

"In On the Soul 3.1-5, Aristotle goes beyond the five sense to the general functions of sense perception, the imagination and the so-called active intellect, the of which was still a matter of controversy in the time of Thomas Aquinas. In his commentary on Aristotle's text, 'Simplicius' insists that the intellect in question is not something transcendental but the human rational soul. He denies both Plotinus' view that a part of the soul has never descended from uninterrupted contemplation of the Platonic Forms, and Proclus' view that the soul cannot be changed in its substance through embodiment. He also denies that imagination sees things as true or false, which requires awareness of one's own cognitions. He thinks that imagination works by projecting imprints. In the case of mathematics, it can make the imprints more like shapes taken on during sense perception or more like concepts, which calls for lines without breadth. He acknowledges that Aristotle would not agree to reify these concepts as substances, but thinks of mathematical entities as mere abstractions. Addressing the vexed question of authorship, H. J. Blumenthal concludes that the commentary was written neither by Simplicius nor Priscian. In a novel interpretation, he suggests that if Priscian had any hand in this commentary, it might have been as editor of notes from Simplicius' lectures."--Bloomsbury Publishing In On the Soul 3.1-5, Aristotle goes beyond the five sense to the general functions of sense perception, the imagination and the so-called active intellect, the of which was still a matter of controversy in the time of Thomas Aquinas. In his commentary on Aristotle's text, 'Simplicius' insists that the intellect in question is not something transcendental but the human rational soul. He denies both Plotinus' view that a part of the soul has never descended from uninterrupted contemplation of the Platonic Forms, and Proclus' view that the soul cannot be changed in its substance through embodiment. He also denies that imagination sees things as true or false, which requires awareness of one's own cognitions. He thinks that imagination works by projecting imprints. In the case of mathematics, it can make the imprints more like shapes taken on during sense perception or more like concepts, which calls for lines without breadth. He acknowledges that Aristotle would not agree to reify these concepts as substances, but thinks of mathematical entities as mere abstractions. Addressing the vexed question of authorship, H. J. Blumenthal concludes that the commentary was written neither by Simplicius nor Priscian. In a novel interpretation, he suggests that if Priscian had any hand in this commentary, it might have been as editor of notes from Simplicius' lectures.

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[edited by] Frances E. Dolan

This play within a play is a delightful farce about a fortune hunter who marries and tames" the town shrew. The comedy, often produced today because of its accessibility, is one of the plays Shakespeare intended for the general public rather than for the nobility. CliffsComplete combines the full original text of The Taming of the Shrew with a helpful glossary and CliffsNotes-quality commentary into one volume. You will find:A unique pedagogical approach that combines the complete original text with expert commentary following each sceneA descriptive bibliography and historical background on the author, the times, and the work itselfAn improved character map that graphically illustrates the relationships among the charactersSidebar glossaries"

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herausgegeben von Friedrich Engels

Das Kapital, Karl Marx's seminal work, is the book that above all others formed the twentieth century. From Kapital sprung the economic and political systems that at one time dominated half the earth and for nearly a century kept the world on the brink of war.