The Sexual Politics of Meat

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Carol J. Adams

""The connections traced between rampant masculinity, misogyny, carnivorism, and militarism operate as powerfully today as when Carol Adams first diagnosed them twenty years ago." JM Coetzee" "For twenty years, The Sexual Politics of Meat has inspired, engaged, and challenged readers. Now , with a preface by Nellie McKay, an expansive new Introduction by the author, and 8 pages of images culled from popular culture, The Sexual Politics of Meat is as startling, revelatory, thought-provoking, and life-changing as when it first appeared." "A bible of the vegan community." New York Times" ""Her argument is rational and persuasive . New ground -whole acres of it - is broken by Adams." Washington Post" ""Important and provocative . Likely to both inspire and enrage readers across the political spectrum." Library Journal" ""Adams's original, provocative book makes a major contribution to the debate on animal rights." Publishers Weekly" ""The Sexual Politics of Meat couldn't be more timely, or more disturbing." Environmental Ethics."--BOOK JACKET.

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Stephen Jay Gould

What would the world have been like, if George Bailey of "It's A Wonderful Life" hadn't been born? George was lucky enough to have an angel that could roll back the tape of life and show him how things would have been different. He learned that one contingency changes everything. In "Wonderful LIfe", an homage to the American classic film, "It's A Wonderful Life", Stephen J. Gould plays the role of the angel, rolling back the tape of life a half billion years for his readers through the lens of the Burgess Shale (British Columbia), arguably the most important fossil site on the planet. His theme of contingency plays out as he discusses the many unique forms of life that might have, if things had gone differently, become the dominant forms on this planet, and how they contrast with those of today -- the one's that survived. Along the way he tells the story of the discovery and discovers of the Shale, how it was first interpreted in terms of prevalent beliefs about the origins of life, and how it has subsequently been re-interpreted in light of knowledge. So enjoy the "film", but be sure to bring along a cup of coffee and a dictionary -- with Gould's intense writing style you're likely to need both!

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Gilles Lipovetsky

In a book full of playful irony and striking insights, the controversial social philosopher Gilles Lipovetsky draws on the history of fashion to demonstrate that the modern cult of appearance and superficiality actually serves the common good. Focusing on clothing, bodily deportment, sex roles, sexual practices, and political rhetoric as forms of "fashion," Lipovetsky bounds across two thousand years of history, showing how the evolution of fashion from an upper-class privilege into a vehicle of popular expression closely follows the rise of democratic values. Whereas Tocqueville feared that mass culture would create passive citizens incapable of political reasoning, Lipovetsky argues that today's mass-produced fashion offers many choices, which in turn enable consumers to become complex individuals within a consolidated, democratically educated society. Superficiality fosters tolerance among different groups within a society, claims Lipovetsky. To analyze fashion's role in smoothing over social conflict, he abandons class analysis in favor of an inquiry into the symbolism of everyday life and the creation of ephemeral desire. Lipovetsky examines the malaise experienced by people who, because they can fulfill so many desires, lose their sense of identity. His conclusions raise disturbing questions about personal joy and anguish in modern democracy.

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David V. Mason

Theatre and Religion on Krishna's Stage examines the history and form of India's râs lila folk theatre, and discusses how this theatre functions as a mechanism of worship and spirituality among Krishna devotees in India. From analyses of performances and conversations with performers, audience, and local scholars, Mason argues that ŕs lila actors and audience alike actively assume roles that locate them together in the spiritual reality that the play represents. Correlating Krishna devotion and theories of religious experience, this book suggests that the emotional experience of theatrical fiction may arise from the propensity of audiences to play out roles of their own through which they share a performance's reality.