King of the creeps
Steven Banks
When a nerdy, unpopular high school senior notices his resemblance to Bob Dylan, he leaves home for Greenwich Village, in 1963, to become a folk singer.

by Sol M. Davidson (1992)
The adventures of a hiccuping hero provide a different account of the deeds of numerous well-known American folklore figures and significant events in United States history.
Steven Banks
When a nerdy, unpopular high school senior notices his resemblance to Bob Dylan, he leaves home for Greenwich Village, in 1963, to become a folk singer.
retold by Barbara Cohen
A somewhat humorous retelling, featuring Balaam's donkey, of the Bible story in which Balak, king of Moab, calls upon Balaam, the prophet, to curse the Israelites, but he blesses them instead.
Lisa Colletta
"Social satire in the modern period is traditionally seen as a conservative genre in opposition to the experimental aesthetic of literary modernism. In Dark Humor and Social Satire in the Modern British Novel, Lisa Colletta challenges this prevailing view, arguing that the darkly humorous social satires of the interwar years in Britain display a deep ambivalence and a delight in disorder that denies the reader the comfort of a stable or totalizing critique. Combining analysis of canonical writers and those often overlooked - Virginia Woolf, Ivy Compton-Burnett, Evelyn Waugh, and Anthony Powell - Colletta draws on psychoanalytic theories of joke-work and gallows humor to make the claim that dark humor is a defining characteristic of Modernism. She deftly connects these writers through their humor and offers an innovative rereading of Modernist texts."--Jacket.
Arturo Pérez-Reverte
Arturo Perez-Reverte has enthralled readers and criticsaround the globe with his Captain Alatriste series. Having sold four and a half million copies to date inthe Spanish-speaking world, the series has made Perez-Revertea literary superstar and his fictional seventeenth-century mercenarya national icon. The King’s Gold picks up in Seville, 1626. After serving withhonor at the bloody siege of Breda, Captain Alatriste and hisprotege, Inigo Balboa, have returned: battle-weary, short ofcash, and with few prospects for honest work. But the Spanishempire is as dangerous as ever, and it’s not long before Alatristereceives an intriguing offer of short-term employment. He andInigo must recruit a dozen swordsmen and mercenaries for arisky job involving a dazzling amount of contraband gold anda heavily guarded Spanish galleon returning from the WestIndies. The offer comes from the king himself, for at stake isnothing less than the Spanish Crown, and its dominion over thewealth of the Americas. The seedy taverns, the teeming prisons of Seville, the sanddunes of Guadalquivir find Alatriste, Inigo, and their motleyband of cutthroats embarking on a new adventure, one thatbrings them surprising new alliances and perilous encounterswith old enemies.